A Quote by Kwak Dong-yeon

The reason why I decided to appear in 'Vincenzo' was because of my love and trust for director Kim Hee-won and writer Park Jae-beom. — © Kwak Dong-yeon
The reason why I decided to appear in 'Vincenzo' was because of my love and trust for director Kim Hee-won and writer Park Jae-beom.
As a viewer, I liked screenwriter Park Jae-bum's writing and director Kim Hee-won's directing.
As an actor you can always blame the director or writer for negative feedback. But as a writer, you're the reason why everyone's in the room.
I thought I was depressed because I wasn't a writer/director. I moved into a space where I'm a writer/director, my movie is a hit at Sundance, I have a wonderful, loving boyfriend, and wow, I have financial stability. Why can't I get out of bed still?
In creating music you are the writer, the director, the producer, you create it from scratch. Obviously in playing a role in a film, you take guidance and put your trust into the director. You come into it and you really trust people.
My original name is Jae-Sang Park, so it's totally different.
With a musical, you kind of have to do a mind-meld with the book-writer, the lyricist, the composer, the director - sometimes the producer. I think that's a reason why musicals are the hardest form.
My wife looks at the person Park Jae Sang and the singer who goes up on stage, Psy, as different people.
Good evening, ladies and gentleman. My name is Orson Welles. I am an actor. I am a writer. I am a producer. I am a director. I am a magician. I appear onstage and on the radio. Why are there so many of me and so few of you?
I don't play Hollywood maids, the hee-hee kind of people who are so in love with their madam's children they have no time for their own.
One of the things about writing a novel is you can do it any way you want. It's your voice that's important and I see absolutely no reason why a screenplay can't be the same. It makes it a hell of a lot easier when you're the writer and the director.
Sometimes I wonder why I'm a novelist right now. There is no definite career reason why I became a writer. Something happened, and I became a writer. And now I'm a successful writer.
There is a director for a reason, because a director knows what's best for the movie. You just give your director as much as you can to work with, and hopefully, the decisions they make are going to be great.
If you're not filled back up quickly, you might collapse like a birthday balloon". I guess that's why acting is so addictive. For the director, that addiction will come from the love and trust he gets from the "orchestra", him being the conductor. That's why many directors fall in love with their leading lady/man: having someone say "how do you want me to be" is incredible.
When you trust the director you want to trust his or her choices. I don't want to say, 'No, I don't like this girl or that guy," when the director really loves them. No, you want to go with what the director likes.
Richard Curtis, the writer and director of Love Actually, is brilliant at many things, but his genius, I submit, is for thrusting characters into situations in which they feel driven to humiliate themselves. Which is why we love them, especially when it's all in the name of love. He is the Bard of Embarrassment.
Hee hee hee! You should've seen the look on your face!" "If mom and dad cared about me at all, they'd buy me some infra-red nighttime vision goggles.
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