A Quote by Kygo
A lot of producers don't have any musical education. I couldn't make the music I make without playing the piano.
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Well I started out on guitar, so it is still the mainstay of my music. But I have recently been working very hard on my piano, and it is coming along to the point where it is taking more of the spotlight. It has been my plan to be able to make music well into my old age, and sitting down seems like a good idea. Also, I don't have to carry the piano on the road. I haven't been playing the banjo much of late because of the difficulties of travelling with so much gear. But maybe I'll bring it to Japan. It adds a different color to the musical palette.
Have I a secret about playing the piano? It's a very simple one. I sit down on the piano stool and make myself comfortable - and I always make sure that the lid over the keyboard is open before I start to play.
I love music, singing, and playing piano (though I'm not very good). And I adore musical theater.
I believe the use of noise to make music will increase until we reach a
music produced through the aid of electrical instruments which will make
available for musical purposes any and all sounds that can be heard.
I grew up listening to a lot of player-piano music in my house and a lot of old Tin Pan Alley songs and American standards. My dad listened to a lot of traditional Irish music and I grew up doing musical theater. So most of the music I was exposed to as a kid was pre-rock n' roll.
I had an affinity for music and could play anything I heard on the piano, but I wasn't scholastically advanced in any way. It was more of a habitual tendency. I would work on weekends at piano bars playing jazz when I was an art student, but the music wasn't mine - it was covers: everything from Radiohead to really old jazz. But other than that, the only training I had was piano lessons from when I was nine until I was eleven.
I just wanted to release an album of piano music for music's sake. I'm not expecting to sell millions of albums. It's was just nice to be able to sit down at an acoustic piano and make some music.
Music is something I couldn't live without. My dad was into music, he played for pleasure - guitar, piano. I started off doing jazz, singing with a lot of fabulous musicians here in London before I went to the States. And I still take piano lessons every Wednesday.
I think that, initially, I was most passionate about music and particularly about playing the piano. I started playing when I was nine, and I was obsessed with it, really. I wouldn't even go spend the night at a friend's unless they had a piano. But I didn't have the chops, the extraordinary talent to be able to play the piano professionally.
If you think hard enough about it, Rowlf the dog playing the piano on 'The Muppet Show' - what kind of insanity was happening underneath the cameras to make that happen? His mouth is moving, and he's got two hands playing the piano. That's two people under there!
As a young composer I had a particular fondness for Liszt's Beethoven Symphony arrangements for the piano, and to this day I enjoy playing non-piano music at the piano.
The people who've done well within the [Hollywood] system are the people whose instincts, whose desires [are in natural alignement with those of the producers] - who want to make the kind of movies that producers want to produce. People who don't succeed - people who've had long, bad times; like [Jean] Renoir, for example, who I think was the best director, ever - are the people who didn't want to make the kind of pictures that producers want to make. Producers didn't want to make a Renoir picture, even if it was a success.
I was listening to a lot of really early house music tracks. Like Chicago house and Detroit. And Marshall Jefferson has a track probably from 1980 - somewhere around there - that doesn't actually have any electronic instruments, no drum machines, nothing. Just a drummer and a piano player and they're playing this house music, but they're actually playing it. I really love that aesthetic and wanted to bring that into the album.
For me, the music that resonates the most is one with a vision. I think that's what separates artists from entertainers. There are a lot of DJs and producers that make entertaining tracks that are effective in the club. They may make you feel nostalgic, or they may make you feel happy, or anxious or whatever - that can be entertaining, useful, and functional but there could be no vision.
I like to think that if it hadn't gone as well as it has, if I wasn't able to make a living off of playing music, I would still be playing the music. But, of course, I wouldn't likely have had the opportunity to travel, and a lot of the places have inspired songs.
My piano has not yet arrived. How did you send it? By Marseilles or by Perpignan? I dream music but I cannot make any because here there are not any pianos . . . in this respect this is a savage country.
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