A Quote by Kygo

I love finding talents to pair my music with such as Conrad on 'Firestone', Parson James with 'Stole the Show,' and Will Heard on 'Nothing Left.' — © Kygo
I love finding talents to pair my music with such as Conrad on 'Firestone', Parson James with 'Stole the Show,' and Will Heard on 'Nothing Left.'
Creating music to fit the marketplace, so that music can be heard? If ever I thought that I even came close to catering to the marketplace, or designing my productions and my music to cater to what is currently fashionable, I would sell shoes for a living. For me, the marketplace can rot in hell. I will do music for the love of music and for the love of people who listen to music, and absolutely nothing else will drive me.
Nat Parson says it's the devil's mark." "Nat Parson's a gobshite." Maddy was torn between a natural feeling of sacrilege and a deep admiration of anyone who dared call a parson 'gobshite.
I stole everything I ever heard, but mostly I stole from the horns.
When I worked on 'The Daily Show,' we had some puppets made of myself, John Oliver, and Jon Stewart. When I left the show, I stole the puppet. I took what was rightfully mine.
For the first time, he heard something that he knew to be music. He heard people singing. Behind him, across vast distances of space and time, from the place he had left, he thought he heard music too. But perhaps, it was only an echo.
The biggest compliments I've heard about 'That Metal Show' are the ones from people that say that they don't even listen to this kind of music, but, 'We love watching the show.'
I heard a lot of different kinds of music. I heard country music, I heard jazz, I heard symphonic music, opera, everything you can think of except very modern music.
When I heard Elvis Presley, then I knew I had to do music. Music is my god, and is the only love that has never left me. It has always been there and is my best friend.
The slight, the facile and the merely self-glorifying tend to drop away over the centuries, and what we are left with is the bedrock: Homer and Milton, the Greek tragedian and Shakespeare, Chaucer and Cervantes and Swift, Dostoyevsky and Tolstoy and James and Conrad. Time does not make their voices fainter, on the contrary, it reinforces our sense of their truth-telling capacity.
If politically infused music is denied airplay, music reviews or festival stage time because it is considered "politics" rather than "art", then there will be no music left to ban. It will never reach the surface anyway, not to the larger audience. I believe that there is a high degree of censorship in the west, most importantly in the form of self-censorship among musicians themselves. This is why what you hear on the radio is - increasingly often - pure and toothless entertainment. Almost by definition, there's nothing left in pop music worth banning.
To this day, nothing makes me happier than finding a TV show I really love.
I wanted to reexamine the idea of the album for generations of people who are not my age, who love music or learning about music or are finding this band called R.E.M. or have just previously heard "Losing My Religion" and "Everybody Hurts" as their elevator music. I wanted to present an idea of what an album could be in the age of YouTube and the Internet.
I have that love for music, when you are finding either old gems that you never heard or newer stuff that perks your ear. It keeps you trying to look for new stuff to write about it. You don't spin your wheels. I take that same approach to music and books.
There is nothing left of him but curiosity and a pair of eyes.
Colonialists stole not only the lands of African people and renamed them. They stole also their knowledge, so that they would know nothing about themselves
I will say this: it's important to work hard, but you have to know your limits. There's always another show, but if there's no "you"; if you have nothing left to give, nothing else happens. It all disappears.
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