A Quote by Kyla Reid
Any songs that I like, I sort of rinse them out.
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I'm good with songs I haven't written, if I like them. I'm glad I didn't write any of them. I already know how they go, so I have more freedom with them. I understand these songs. I've known them for 40 years, 50 years, maybe longer, and they make a lot of sense. So I'm not coming to them like a stranger.
I don't really think much of any songs I put out like I know... I think they're good, that's why I'm putting them out. But like I don't ever try to expect anything, so even with 'Caroline' or 'Red Mercedes,' I just put them out and hope for the best and people kind of gravitate towards them and I guess that's pretty cool and that's a blessing.
I had so many songs that were actually sort of finished. And I deleted them. I wrote on my website that I'd put them on the shelf, but that wasn't true. I actually deleted them from my computer. I got sort of trigger-happy and I think I deleted about 200 songs from my computer.
So, in some ways, the political songs tend to be a bit more like reportage, whereas the love songs tend to be like novels, you can pick them up off the shelf and go into them any time.
I begin with songs. They provide a sort of skeleton grammar for me to flesh out. Songs of longing for future tense, songs of regret for past tense, and songs of love for present tense.
If my songs are being listened to between any other songs, that is awesome, and I'm glad people are getting something out of them.
That's what I find with any good song, you just have to let it happen. Out of about twenty songs you might write, one of any significance. It might be thirty or forty, but I just keep churning them out and churning them out in hope that one of them will stick.
Every one of those old songs like "What's My Age Again?" and "All the Small Things" is like a tattoo or a scrapbook or an old photograph. There are just songs that define certain moments in your life. Everyone has a song that got them through a bad breakup or they put on and it made them feel like they wanted to go out and kick the world's ass with their friends on a weekend. Those songs still feel like that to me.
Growing up, before my mom would cook our rice, she would rinse the rice out and pour it out three times. And after the fourth pour, she'd pour it into a little bowl, and she'd rinse her face with that. It's known to help whiten the skin and nourish it because essentially inside the water you have all the essential nutrients from the rice.
I've always loved the songs of the sea. I was first introduced to them back in 1957, at the Old Town School of Folk Music. I used to go to Pete Seeger concerts, and he would do songs like 'Ruben Ranzo' and talk about how the sailors sang songs to do their work - to raise the anchors, pull up the sails and that sort of thing.
The Washed Out thing happened really quickly, and I wasn't really actively promoting the songs. I didn't think of them as any more than demos, really, and it sort of became a thing on its own.
I feel no obligation to teach my readers anything, to impart any sort of wisdom, to teach any sort of lesson, to instill any sort of morality. All I'm trying to do is make them and their parents laugh.
I like the songs to appear very simple and to flow by without any kind of hiccup, but there has to be this impression of other currents underneath. Like if the songs aren't, on some level, multidimensional, we lose interest in them.
I thought that I wrote songs and wrote music, and that was sort of what I thought I was best at doing. And because nobody else was ever doing my songs, I felt - you know, I had to go out and do them.
When you hear kids singing your songs it just validates them, they sound like real songs when you hear them back, it's quite refreshing. Like songs that could have been around for a hundred years.
If my songs are being listened to between any other songs, that is awesome, and I'm glad people are getting something out of them. We go to countries like Germany, where I can't imagine that all of my fans are engaging with the lyrics first and foremost. I think they're catching a vibe, a feeling. I consider myself a lyricist first and foremost, but if you get something else out of what I do, that's fine too. I'm not sitting back and telling people how they have to take my stuff. We just want to play music, and hope that people like it.
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