A Quote by Kyle

What is a hit? Who can tell? Who decides what a hit sounds like? I needed to remind myself that a hit is whatever people decide is a hit. I don't make hits; I make music. People make hits.
It's definitely good to have a hit from time to time, though not too often. If you have a few hits in a row, people start to think every film you make will be a hit, which is a big mistake.
Most of the time, when I had hits as a soloist - maybe not so much with Simon & Garfunkel - I was surprised they were hits. I didn't know what the hits were. I never thought that 'Loves Me Like A Rock' was going to be a hit, or 'Mother And Child Reunion,' or '50 Ways To Leave Your Lover.' They didn't sound like what the hits sounded like at the time. Radio was more open to things that weren't exactly what every other hit was.
Everybody used to be busy writing songs - great songs - that became hits. Now everybody's writing hits. Everybody's desperately writing a hit because they know they can't survive if they don't have a hit. Where in the past, we were writing a song like 'More Than Words' on a porch, not really believing it was gonna be a hit.
You always measure success by what you did last. It's hard to measure that because it's something that just comes. If someone can just make a hit, they would do it everyday. But you can't make a hit that you know is a hit every day.
There's nothing like a hit movie to make you think you're one of the chosen people. It's amazing how smart we are the morning after a hit opens.
That's what stock-car racing is. You hit someone, or you get hit. That's something I had to learn. It's a key factor in why I'm so aggressive. I don't want to have to hit you. But if you're going to hit me, I'm going to hit you.
When you get hit, you hit back, you've got to do it. You don't just say "I didn't get hit, oh I didn't get hit." When you get hit, we are destroying our country with these sick people [from mass media] back there, and they know it better than anybody in this arena.
There is always pressure. If you make a flop film then you are under pressure to make a hit film. If you make a hit film then you are under pressure to surpass your own standard or at least deliver another hit because the audience also has expectations.
You hit a guitar, you hit a note, you hit a drum, you hit an organ. Meat and potatoes. Simplicity. Not getting too caught up in little tweezers of perfection.
When I see my opponent, I begin to shake uncontrollably. Once he hits me, I think to myself, you just hit Wanderlei Silva, how dare you hit Wanderlei Silva. Then I try to kill them.
When you make a book or you make a movie, it is almost like hitting on somebody. It's not because you want to seduce people that you will seduce them; you can hit on somebody and it doesn't work. But when you hit on them and it works, then it's really cool.
I don't want to have one hit, one song of the summer, and then have me disappear forever. I really want my things to last, and I want my songs and my bodies of work to resonate with people. I want to hit people - at least make a dent in them. I want to make a mark somehow.
I couldn't believe I hit .342. I hit .333 one month in Triple-A. Otherwise, I hit .279 in the minor leagues. I'm proud of myself.
I could be shooting myself in the foot, but in some ways, I feel I've said all I've needed to say when to comes to, say, the 'X-Men.' I think I've hit the bright points, I think I've hit what I wanted to hit, and I can be happy moving on doing other things.
If you have an important point to make, don't try to be subtle or clever. Use a pile driver. Hit the point once. Then come back and hit it again. Then hit it a third time - a tremendous whack.
Yes, I hit with heavy top-spin, but when you look at the little rackets I played with, the Maxply Dunlop, you had to hit the very centre all the time. I had my share of miss-hits.
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