A Quote by Kyle Abraham
I guess it's hard work... whatever the decision is, how to show it to people that aren't necessarily dancers, how to get people to think about more than themselves.
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Me being an artist working with dancers and seeing how hard they work, they are the first to show up and the last to leave. They work just as hard, if not harder, than me - and they never get credit for it.
I think everyone is always asking themselves, How is my work meaningful, how is my life meaningful? As I get older, I feel like who I am as a person and a citizen is more important than who I am in my work. But I do think it reframed slightly for me, how much I have to care about a project in order to want to do it. Sometimes, obviously, you have a take a job for money. But I think I'm quicker now when I get a script that's, say, borderline misogynist, I'm not going to go in for it. I'm thinking more about what I'm putting into the world.
More often than not when we do not like our work, it's not necessarily because of the work itself. But more often because of the people we work with and more importantly because of the lack of leadership. It is amazing how inspired and motivated we can be when we like the people and when we feel like we show up to work because our leaders care about our wellbeing. It is kind of incredible actually.
Once you do something that people respond to, they understandably think of you in that way, and you want to work and it's fun and it's wonderful. I think a lot of people in all different fields find themselves in a moment of repeating certain beats. There's also a moment that is personally related to age as well - in whatever field you're in, you say, "Wait a minute, where am I and how did I get here? How has this changed from my original intent and what do I want to do about that now?" That's part of the process.
I'm such a believer in going to set, even when you're not work because I think the best things to be learned, you don't necessarily get from your own scene or from someone speaking to you and telling you advice. I think it's all about watching and just taking it all in. It's not even when the cameras are rolling, necessarily. You can see how they interact with the rest of the crew, and how they deal with being a character and then being themselves.
I probably became more understanding and empathetic about 'The Bachelor,' and why people are on it, than I was the first 10 years of the show when I was married, because I really do understand how hard it is out there, how hard it is to meet somebody that you really have a connection with.
I just tried to make as many plays as possible to try and show them how hard I work and how hard I prepare and that I am willing to do whatever it takes to win football games and to accept whatever role they want me to be in. I think that has helped me throughout my career.
I think being shy or a little bit more mild-mannered is more how you treat people and how you go about your business, not necessarily how you dress or things of that nature.
I find it to be strange that people get obsessed about how fast actresses and celebrities are taking off their baby weight. I guess people like to look to them and feel better about themselves or feel worse about themselves.
Do I watch dancers as people? Yes, absolutely. Do I watch really good dancers for specifically who they are? Absolutely, because how they move best and how they look best is going to be most familiar to them, and not necessarily to me.
I really admire people who concern themselves more with how they perceive the world rather than how the world perceives them. I think, as an artist, it's very important to do that. You can limit yourself a lot if you spend too much time caring about what people think of you.
I am excited to show people how, when you get older, you get deeper, you get more raw, you get more honest, and you stop pretending to be the person you think people want you to be. I stopped worrying about what people wanted me to say and just sort of dug deep into my personal arsenal of my mistakes and shameful thoughts.
When people ask me about modeling, what it was like, I say, "It was fabulous!" If you can use it in the right way - to travel to meet other people, to learn how to dress, to make some money - I think it's great. But I also think it takes girls. If they don't know how to handle themselves, or if they do it just for a little time and are not successful, then they get terribly depressed about themselves.
How do I do that preparation [for film]? Just an immersion. I have a musician's, I guess, ear for the sound of the voice but it's also important to me, in the case of [playing] someone who is controversial, to get the outlines of the character right because how they present themselves to the world has a great deal to do with how people feel about them.
People don't understand how hard it is to get recognized, how hard it is to get people to read your books. How hard it is to get people to even to understand what they're reading when they're talking to you about their books.
The way we treat people we think can't help or hurt us - like housekeepers, waiters, and secretaries - tells more about our character than how we treat people we think are important. How we behave when we think no one is looking or when we don't think we will get caught more accurately portrays our character than what we say or do in service of our reputations.
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