A Quote by Kyle Baker
They praise these tiny indie bands, but if a band finally gets mainstream success, the same people who praised them attack them for 'selling out.' People often play at being nonconformists to mask their own feelings of not fitting in.
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When we opened Babbo, we were an indie band. Now we're kinda Apple. We have 19 restaurants and 2,800 employees, we are no longer perceived as the indie band although we think of ourselves as the indie band, and we operate our restaurants as individual indie bands.
I always felt, rather than play by the mainstream standards, we've always done what we do and the mainstream has finally decided to, like that but, we've only gotten more extreme so, the band hasn't got more commercial, it's just that more people understand where we're coming from so more people are in to it.
I obviously appreciate all the fans I gained from my band, but there weren't enough of them to make me a very successful artist. To me, being successful is selling a lot of records and selling out big venues on tour, and it's not up to anyone else to decide what success is for me.
I played in rock bands in college and then right out of college I moved over to Europe and lived in Ireland for about four years playing in indie rock bands. I love and miss being in a band, I still am in a band but pursuing that as a career I definitely missed it but I felt like that ship had sailed.
I think the best songs are being written by the very under-stated, under-appreciated indie artists. The thing that separates them from mainstream success is they either consciously or unknowingly refuse to deliver on a big chorus.
Adam Lambert's continued success as one of the world's best-selling pop stars shows LGBT people that they can be themselves and make it in a mainstream industry that many feel unfairly rejects them.
There's nothing weirder than when your band finally gets big and you're playing sold-out arenas and you're selling millions of records, and you dread being a part of it all. It wasn't some master plan to go solo. I was just like, I would rather do my own thing, be happy, and have it be ten times less popular. That was really it. It just wasn't fun, the stress.
I run into so many people who also have psoriasis and share the same feelings as I had. I tell them that it's about being your own boss and of not settling until they find whatever it is that works for them and they have their life look the way they want it to.
I'd like to think that people see there's two ways to do things. You can put a lot of money into a band and force people to like them or you can just find good bands and people will like them anyway.
I like to say that I do covers of my own songs. And I have about a dozen bands all over the world. That's no exaggeration. I have a South African band, an Australian band, Swedish bands, English bands, American bands. They're all notable musicians, too.
I tried so many different musics. I kind of burned out on classical and wanted to make it fun again. I started playing with indie bands and country bands and finally realized electronic music brought my style to life.
It is oftener by the estimation of our own feelings that we exaggerate the good qualities of others than by their merit, and when we praise them we wish to attract their praise.
My philosophy at the moment is that I'm great - and so is everybody else. You have to fit your own oxygen mask. That's really my philosophy now: our band is the best band in the world. And so are all the other bands.
Sometimes it's just the creative intent of an artist or band that inspires me. I'm generally drawn to artists or bands that put themselves out on a limb somewhat and do something that infuriates both the mainstream and the indie purists, but that can't necessarily be classed as either. To me it seems somewhat convenient to be on either end of that scale.
If you're remarkable, then it's likely that some people won't like you. That's part of the definition of remarkable. Nobody gets unanimous praise - ever. The best the timid can hope for is to be unnoticed. Criticism comes to those who stand out.
Playing it safe. Following the rules. They seem like the best ways to avoid failure. Alas, that pattern is awfully dangerous. The current marketing “rules” will ultimately lead to failure. In a crowded marketplace, fitting in is failing. In a busy marketplace, not standing out is the same as being invisible.
That's why you put out records: hoping that people will connect with them. I mean, I play music for myself, for sure, and I would still play music even if people didn't like it. But it means a lot when it connects to people and they enjoy it. But it's funny: you get criticism as much as you get praise. It kind of evens out after awhile.
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