A Quote by Kyle Busch

My first paycheck came from HobbyTown USA in Las Vegas. They had like planes and trains and RC cars, things like that. — © Kyle Busch
My first paycheck came from HobbyTown USA in Las Vegas. They had like planes and trains and RC cars, things like that.
I love Las Vegas. I like that Las Vegas has everything. Everything and anything you want to do, you can do in Las Vegas. You can pretty much do it all day and all night if you want to.
I love Las Vegas. I like that Las Vegas has everything. Everything and anything you want to do, you can do in Las Vegas.
Any artist who goes to Las Vegas is an idiot as far as I am concerned. Whoever goes to Las Vegas can stay in Las Vegas.
I love Atlanta. It's a great city with great crews there, but it's really hard to make it into a Las Vegas version of it because it doesn't look at all like Las Vegas.
I go to Las Vegas--or at least I went to Las Vegas--because even though I knew everything that was sinister, calculating, and evil about it, I loved Las Vegas. Only in Vegas could I dare to fantasize that I was a Friend of Frank. Or that I was throwing the dice at Dino's favorite table. Or that I might luck out and sip bourbon with Rickles after his last lounge show. The D.I. oozed that kind of heady fantasy.
In Las Vegas, people seem to believe, the prosperity spawned by tourism and gaming can make them whole, financially and spiritually. Las Vegas now melds fun, work, and wealth, showing a path toward the brightest vistas of the post-industrial world. It is the first city of the twenty-first century.
It's like a crapshoot in Las Vegas, except in Las Vegas the odds are with the house. As for the market, the odds are with you, because on average over the long run, the market has paid off.
The man who became a big influence in my life was Dean Martin. He started my career in Las Vegas. When I came to Las Vegas, he put his name on the marquee: 'Dean Martin presents Engelbert Humperdinck.' And I'm the only one he ever did that for.
I never envisioned that I would be able to bring something to the entertainment table that would fit Las Vegas. Vegas is so presentational; it's live theater and, for me, it's always been film or television, which isn't why people come to Las Vegas. So it's exciting to be apart of all of this, the thrust of the entertainment of Vegas.
I'm really fascinated by how the mob ethos permeates places like Las Vegas and Chicago. I have the book set in Las Vegas and Chicago for pretty specific reasons, some of which are that in both cases the mob history has become a tourist attraction - I'm actually doing a book signing in Las Vegas at The Mob Museum, which I am positively giddy about! - and I find that especially unusual. If you don't call these people "the Mafia" they're just a band of psychopaths killing people for profoundly dumb reasons.
When I first went to Las Vegas, I thought I would never go to Las Vegas; you can't get anything. But then I realized that they were trucking in almost everything; you could get a lot of your product, and I think that's why a lot of chefs actually went there.
The guys have a lot of good cars built up. We're going to do some more testing before we go back to Las Vegas and try to win at Vegas again. We need to get off to a quick start.
If what happens in Las Vegas is supposed to stay in Las Vegas, how did Harry Reid get out?
Sure, we loaned money to build hotels and casinos in Las Vegas. So what? Las Vegas borrowers were good customers.
I compete with the 'Welcome To Las Vegas' sign for the number one non-gaming tourist attraction in Las Vegas. I get more visitors than the Hoover Dam.
I had a very humane, what the great Russian poet Anna Akhmatova would probably have called 'vegetarian,' experience of migration. It involved planes and trains - the actual compartments of passenger trains - and not grueling walking and riding on the roofs of trains.
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