I'm in a great position now where I've got recognition. I'm not recognized too much. I think I'm recognized enough by the industry.
It's nice to be recognized, but it's not great to have it too conspicuously recognized, if you see what I mean. Gold records on the wall, or titles after your name, it's just not something... I don't feel that great about it.
Harry Patch didn't get enough recognition. Jerry Garcia got too much.
Our senses will not admit anything extreme. Too much noise confuses us, too much light dazzles us, too great distance or nearness prevents vision, too great prolixity or brevity weakens an argument, too much pleasure gives pain, too much accordance annoys.
Our senses perceive no extreme. Too much sound deafens us; too much light dazzles us; too great distance or proximity hinders ourview. Too great length and too great brevity of discourse tends to obscurity; too much truth is paralyzing.... In short, extremes are for us as though they were not, and we are not within their notice. They escape us, or we them.
You got to have two things to win. You got to have brains and you got to have balls. Now you've got too much of one and not enough of the other.
Okay, if this is what falling in love feels like, someone please kill me now. (Not literally, overzealous readers.) But it was all too much - too much emotion, too much happiness, too much longing, perhaps too much ice cream.
Now, brethren, this is one of our greatest faults in our Christian lives. We are allowing too many rivals of God. We actually have too many gods. We have too many irons in the fire. We have too much theology that we don't understand. We have too much churchly institutionalism. We have too much religion. Actually, I guess we just have too much of too much.
Too many of the artists of Wales spend too much time talking about the position of theartists of Wales.There is only one position for an artist anywhere: and that is, upright.
I've got dyslexia. When I was in school, it wasn't really recognized as much as it is today; I'm really glad that people are a lot more aware of it now.
I started going blind and my optic nerves of my eye started giving me tunnel vision. I also started fainting a bit and struggling to think. I felt a lot of pressure in my head all the time. That was when it got too much. I'm in a very, very fortunate position now where I've had it taken out once. And now it's back I'm being monitored. I think people at home should be checked for this.
He [Bernardo Bertolucci] has the kind of talent that breaks one's heart: where can it go, what will happen to it? In this country we encourage 'creativity' among the mediocre, but real bursting creativity appalls us. We put it down as undisciplined, as somehow 'too much.' Well, Before the Revolution is too much and that is what is great about it. Art doesn't come in measured quantities: it's got to be too much or it's not enough.
It is now, after doing TV shows and so much work, that people have accepted me as a great choreographer. So I had to struggle too much, and I am happy with my journey today, though there is a lot more left now.
A lot of abstract painters seem to be doing everything all at once now. And so these different styles are jibing and not so jibing, and they're clashing. But they all seem to be working in their own domain. Whereas back in the '60s, man, it was kind of a dull world. It was a vital world. But it was kind of contained and not too recognized by the public. Now art is absolutely recognized by the public.
When I was younger in the theater, I didn't really feel like I got much recognition from the powers that be. I got a lot of small roles - I never got the standout roles.
Trace Adkins doesn't talk too much, but when he does he's got great stories. He's lived a great life.