A Quote by Kyle Gass
We're actually more popular in the U.K.; they really get us, and in Australia. In the non-English speaking countries, they don't really get it.
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Well, English is no problem for me because I am actually English. My whole family are English; I was brought up listening to various forms of the English accent. Obviously there are more specific ones that get a little bit tricky. Same with American stuff. But because in Australia we're so inundated with American culture, television, this that and the other, everyone in Australia can do an American accent. It's just second nature.
Whether I go to English-speaking countries or non-English-speaking countries I can just modulate to what works for them.
So many Hollywood adaptations of really popular manga series just don't get it right, and for me what was really important was that if I was gonna do 'Naruto,' I wanted to actually work with Kishimoto and get a script to a stage where he would look at it and be excited about realizing it.
I get really, really concerned when I see somebody, taking $600,000 in speaking fees from Goldman Sachs, will not release what they're actually saying. That's concerning.
With support jobs moving to China and India, it's not surprising that English-speaking countries' top frustration revolves around the difficulty of understanding customer service representatives. However, even if the level of customer service is exceptional, the extent to which poorly-understood accents trump quality of service speaks to English-speaking customers' growing intolerance of non-native speech, more so than in other countries.
I love the way an Irish man, they can hardly speak proper English, is doing William Shakespeare. So I find that extraordinary as I get older. But I always see music, live shows, performances as moments and to really get there you've just got to actually get into the essence, flesh and the blood.
I don't think, generally speaking, people become writers because they were the really good, really cool, attractive kid in class. I'll be honest. This is our revenge for people who were much better looking and more popular than us. I was a bit like that, I suppose.
During my teen years, I just really started to get anxiety. I would get stage fright when I would do certain speaking engagements and I always would get through them, but it was a really nerve-racking and hard thing to do.
I would rather be a person who struggled there than someone who had a great, easy time and then got out in the world and was like, "Wait a minute, I didn't get voted class president? What's going on?" You know, "popular" doesn't necessarily correlate to anything. "Popular" still has to get up at 7:00 in the morning and go to work and do something worthy too. There's no edge, really, that you get from being whatever was popular in school.
I think we are a better and a more efficient society when people actually get to do the things that they really are passionate about, and really are amazing at, because it's going to mean better stuff for us, too.
With the long-format interview, I can get into really interesting conversations with my guests. You know what it's like to get the opportunity to speak to really interesting people and pick their brain about things. To have time to let a guest actually speak and tell a story and get into detail is really exciting.
And other people get the opportunity to leave prison, and then they do something to get put back in there because they can't actually function in society. It's really cool because you get to see all these different women, their backstories, where they come from, their upbringing and why they get to where they get to, and they're all completely different. It's really cool that you get to see all those storylines.
I'm actually a very dark person, so I really want to get into some really dark roles, maybe some thrillers. I've never done one of those, so I think I'd really want to get into that, but definitely something that would get lots of people talking.
It's just really cool to go to countries and play festivals for people who don't really know your band or don't ever get to see it. It's really nice.
I was raised speaking English and Spanish. And I also speak Danish. And I can get by in French and Italian. I've acted in Spanish and English, but when something has to do with emotions, sometimes I feel I can get to the heart of the matter better in Spanish.
I've performed in Japan before, as well as many other non-English speaking countries. I find you really just have to be a bit more animated than usual. Call-and-response routines work well, if they are simple. Otherwise, I just dance around like a circus monkey and hope the crowd feels it.
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