A Quote by Kyle Hill

Picking apart a story for its scientific underpinnings doesn't diminish it, it enhances it, makes us dream of the possibilities it proposes. I think appreciating the magic of reality, going from 'can't happen' to 'could happen,' is the fundamental appeal of science fiction.
THE MAGIC AND THE DANGER OF FICTION IS THIS: it allows us to see through other eyes. It takes us to places we have never been, allows us to care about, worry about, laugh with, and cry for people who do not, outside of the story, exist. There are people who think that things that happen in fiction do not really happen. These people are wrong.
I think the least important thing about science fiction for me is its predictive capacity. Its record for being accurately predictive is really, really poor! If you look at the whole history of science fiction, what people have said is going to happen, what writers have said is going to happen, and what actually happened - it's terrible.
I have always been intensely uncomfortable with the idea of a science fiction writer as prophet. Not that there haven't been science fiction writers who think of themselves as having some sort of prophetic role, but when I think of that, I always think of H.G. Wells - he would think of what was going to happen, and he would imagine how it would happen, and then he would create a fiction to illustrate the idea that he'd had. And no part of my process has ever resembled that at all.
Much blood has also been spilled on the carpet in attempts to distinguish between science fiction and fantasy. I have suggested an operational definition: science fiction is something that COULD happen - but usually you wouldn't want it to. Fantasy is something that COULDN'T happen - though often you only wish that it could.
The mysteriousness and mystique of space is such, that science fiction attempts to tantalize you by telling you a story that could possibly be out there and that's the appeal of science fiction.
There are people who haven't faced the reality of what has gone on in Iraq. They still think that the old central state is going to be put back together again. It's not going to happen in Kurdistan. It's not going to happen in the south. It's not going to happen in Baghdad.
There are just lots of possibilities in the world...I need to keep my mind open for what could happen and not decide that the world is hopeless if what I want to happen doesn't happen. Because something else great might happen in between.
Those of us who grew up in the '50s and '60s, we had the dream that this could be turned around, and the earth could be back in balance, and that we could level the playing field with men and women and pay, and you know, minority groups having equal opportunity. We just magically thought this was all going to happen: we were going to have clean food, and organic this, and conscious that, and it just didn't happen.
A couple days before the stunts, if I'm doing something particularly dangerous, I will go over every worst-case scenario in my head, like this could happen, this could happen, this could happen, this could happen. I try to think about that to where it's ingrained in me.
Surreal fiction is a sophisticated art form. Events happen divorced from conventional logic, as events in a dream may happen. But unlike dreams, everything in the story contributes to an overall coherent point, impression or emotion.
I'm fond of science fiction. But not all science fiction. I like science fiction where there's a scientific lesson, for example - when the science fiction book changes one thing but leaves the rest of science intact and explores the consequences of that. That's actually very valuable.
Every second the Universe divides into possibilities and most of those possibilities never happen. It is not a uni-verse -- there is more than one reading. The story won't stop, can't stop, it goes on telling itself, waiting for an intervention that changes what will happen next.
I love science fiction but I don't like fantastic [cinema]. For example, if you have a magical ring and you can explode the world with it. What are we talking about? You know, it's not interesting. I don't like Lord of the Rings. Even Star Wars, for me, I don't understand this kind of story. But Alien, because the rules of the game are very precise, it could happen. I love science fiction. I have an idea about robots in the future.
My Hollywood is a place where anything can happen, where dreams can become reality, and reality often morphs into fiction. It's a place where people's day jobs create magic.
One of the things that really impressed me about Anna Karenina when I first read it was how Tolstoy sets you up to expect certain things to happen - and they don't. Everything is set up for you to think Anna is going to die in childbirth. She dreams it's going to happen, the doctor, Vronsky and Karenin think it's going to happen, and it's what should happen to an adulteress by the rules of a nineteenth-century novel. But then it doesn't happen. It's so fascinating to be left in that space, in a kind of free fall, where you have no idea what's going to happen.
I could suddenly see the pressures all around; these endless magazines and cheap reality TV programmes poking at women, humiliating us for every flaw. It makes me so angry. I really wonder what it is we are doing to ourselves, because I do think women can be the worst ones for picking each other apart.
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