A Quote by Kyle Kinane
I still love a well-crafted joke. Twitter's been great for that.
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Twitter is a good medium to lean how to write jokes. It pushes you to write a better joke in that, on Twitter, the first joke about something has already happened. You need to think of the second joke and the third joke.
Twitter is just a great joke laboratory. You go in there and there are so many witty people that I know any joke I make is going to have a response with at least 10 great jokes coming back.
I think a badly crafted, great idea for a new film with a ton of spelling mistakes is just 100 times better than a well-crafted stale script.
I do Twitter, but I'm still not great on it - I'm not good at writing short little jokes, so my Twitter's not really a jokey thing.
Often, when you're in some of these writing rooms for... and the most restrictive is network television, right? They say, 'Wow, that's a great joke, but we can't do that. Okay, let's try the second joke. Oh, you can't do that one. But the third joke you can do,' and hopefully it will be great, but it will remind people of what the joke really was.
I actually credit Twitter with fine-tuning some joke-writing skills. I still feel like I'm working at it.
Twitter's been interesting. I'm kind of a tech geek, but I've never been a Facebook or Twitter guy. Surprisingly, I've really enjoyed Twitter because I get to connect with fans.
The U.K. and Europe in general seem to be a lot more patient. The U.S. are expecting 'joke joke joke joke joke joke joke.' They don't actually sit and listen to you.
I knew at the time my haircut was pretty damn god-awful, so I was just hoping that I wasn't one of the joke ones. And they put me through to Hollywood and I thought, "Well okay, maybe I'm still one of the joke ones but at least I'm not terrible?"
I feel like you can share as many jokes as you want to because no joke you do on Twitter is ever gonna be so big on Twitter, for the most part, that you can't say it on stage that same night.
Some beautiful things are more dazzling when they are still imperfect than when they have been too perfectly crafted.
When I'm writing columns, it's - all I'm thinking about is jokes, joke, joke, joke, setup, punch line, joke, joke, joke. And I really don't care where it goes.
Twitter is a much more dangerous cauldron of group-think than happy hours or dinners. On Twitter, the reward comes from agreeing or loudly disagreeing with the joke, or the "smart take." In person you hash things out.
I just recently joined Twitter. It's very positive - I love all the accolades. If my ego is hurting, I can just open my Twitter account and see 'Oh, I love you! I love the show!' and it's great. I'm trying to find the balance between trying to be funny, being honest and just being a promoter as the guy on 'Royal Pains.'
What's cool about Twitter is that you can make a joke about something very of-the-moment or random that I wouldn't be able to joke about in stand-up.
I have a big following on Twitter, and Twitter has been invaluable for mobilizing and quickly sharing information. But I'm not really sure that people are learning deep content on Twitter.
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