A Quote by Kyle Lafferty
I'd be up three grand and I'd end up losing the lot. It didn't affect me because I knew I was about to get a move and the signing-on fee would make up for the money I lost.
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I get up in the morning. I usually do a radio interview early in the morning. I usually do a book signing, because I'm also a cookbook author, so I'm at some store, at a Walmart or a Williams Sonoma, for three hours, standing up, signing autographs, and taking pictures for three hours.
There was this conflict within me because so many people would come up to me to ask for prayers for all sorts of things, and 50% would be about money like, 'How can I pay for the tuition fee of my kids?' And I could only pray for them. I had no advice to give them because I didn't know anything about money.
I know a lot of guys say that when they are younger - 'I'm gonna get it, get my money, and get out' - and then end up wrestling until they're 50. But that could end up being me, too. I can tell you I want to get out early and end up eating my own words. All of a sudden, I'm 50, and I'm still walking out there.
When I was in the UFC, I would get tickets for a fight, and then what I would do is go in the crowds and watch the rest of the fights. A lot of times, I would end up taking pictures and signing people's books. I didn't care if I got any money or anything. I was just there enjoying my time and watching the fights.
Some part of me knew he would show up, that if I stood in one place long enough he would find me, like you're taught to do when you're lost. But they never taught us what to do if both of you are lost, and you both end up in the same place, waiting.
As an individual, as a household, you can't spend more money than you're bringing in. You can do it for a little while, but you end up going broke and you end up losing everything you have. That is the path that we're on as a country, and it scares me to death.
A lot of people get up to the top of the pile, maybe get one No. 1 contender match-up, and if they lose, they drift into obscurity. I lost, and I went back a bit. But I built myself back up. Three times.
In the back of my mind. I always knew WWE was where I should be and where I would end up. Or where I could end up. Where I deep-down wanted to end up.
There's a lot of guys who are drafted and end up not playing in the NBA. They get their money for their first whatever years and end up going overseas or something like that.
I was brought up with two sisters, so I do know about a three-way dynamic. It's a complex one, because it's easy for one to get left out and the others to gang up. In my family, we were all pretty up for it, but the dynamics would constantly change.
Starting my carrer, I had three rules. I called a press conference and said: you can't kill me in a movie; I win all my fights in a movie; I get the girl at the end of the movie if I want her. They weren't about to hear that, and I knew that I would have to do that myself, but I set the public up and set the press up letting them know what I was going to do: continuing to sell the brand and image that I had.
I knew I wanted to do music, but leaving such a successful career one would think I'd kind of shot myself in the foot. I knew I made the right decision, and at the end of the day it's up to me to get where I want to go, but it's a lot to take on.
When I was 23, I went backpacking around Australia for three months. I saved up a few grand, quit my job and flew to Sydney, then went to Melbourne and up the East Coast, which was an incredible experience. I remember running out of money and getting my mum to send me a few hundred quid, which helped me get by.
I started by looking everything up in a Star Trek dictionary so I knew what I was talking about, but you can't do that because they talk in circles, and half of it doesn't make sense, so you'll just end up driving yourself more insane.
The people at the label were great but at the end of the day our visions didn't match up and I knew I had to do it my way. The potential success that could come with signing with a major label didn't quite outweigh how important it was for me to make my music the way I knew it needed to be made. It was a hard decision to make, but I've never regretted it for a second and it's only become more clear to me after making and releasing Stairwells that it was the right one.
Eventually, to get through school, I would make good meaningless blobs if I had to. And so they thought I was falling in with them and stuff like that. But on the playground, kids would come up to me and say, "I need three Supermans and a Captain Midnight by four o'clock because I'm going to sell them to somebody else." So I'd take all their lunch money and whip these things out, and they'd have to stick them in their underwear to get the pictures home, because if the teacher ever found out about that.
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