A Quote by Kyle Larson
I haven't really done a whole lot of daring stuff. Like when I go snowboarding, I don't go in the terrain park.
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I don't really go to fancy parties, so I'm not really familiar with that kind of celebrity lifestyle. I don't dress up a lot. My girlfriend and I walk a lot and watch a lot of movies, and my friends and I go to the park or each others' houses.
With 'Seven Deadly Sins,' there was a lot of personal stuff in there that I didn't even realize I'd been carrying around for awhile. And a lot of guilt involved, a lot of emotion, a lot of depression. Once I was done writing that book, I was able to really let go of that stuff.
I've done a lot of dramas, and I've done a lot of serious stuff - some really heavy stuff... which I loved, but I wanted to do something light and airy. I think the challenge for an actor is always to see which parts of you you can explore and go have fun with.
Not bragging by any means, but I could have done a lot of other stuff as far as working in films go and working in television... I had chances to do that stuff, but I like baseball, I really do.
Luckily for me, snowboarding doesn't really feel like work unless I'm actually doing stuff that's, like, work-ish, but when I'm just snowboarding, I'm having so much fun.
I wanted kids to know that it's cool to be in a ski race in the morning and to go play in the terrain park in the afternoon. It's not one or the other.
I like to watch rallies. Every time I go, I park the car where the fans park - I don't have any special tickets or permission to go - and I walk six kilometers.
If you turn on the TV, you're going to get a certain palate, and if you go looking underneath the surface, there's a whole lot of stuff there that I think a lot of our generation would be really interested in.
I love to walk around New York. Honestly, that's like the best thing, to walk over to Park Slope and go visit my friend Betty and take her dog out in the park or go walk across the Brooklyn Bridge. I really dig being outside and getting to see everybody in the street.
If I had done 'Go, New York, Go' for the Spurs, it might not have worked. It really taught me a lot about demographics and tastes and styles. I never went to business school, so that whole experience was my crash course in marketing, contracts, negotiations, and product launches.
I had to be on the set for 'Who Framed Roger Rabbit' because my character was interacting with Bob Hoskins. It's a lot of 'hurry up and wait.' So there I was, at 2 a.m., sitting in a trailer at Griffith Park trying to stay awake. And I said to myself, 'This stinks.' The way I do it is better. I go into the studio about 10 a.m. There's no makeup to worry about. I can wear whatever I want. As soon I get there, I'm good to go. I record my stuff and go home.
Snowboarding is like driving a car. When things are all right, you're on it. But when things go wrong, it goes really, really bad really fast.
It's always a thrilling experience to go into a place that offers you a lot of choice. You know it's like it reminds you of when you're a kid and you go to the amusement park and whether it be Disneyworld or Six Flags you know that thrilling moment when you first enter and you know you've got all these possibilities for the day and it's really a... it's a wonderful feeling.
I like films that go a little more daring visually, and story-based stuff that usually reflects pretty closely to what real life is.
I talked to people that I'd done theater with, older actors and stuff. There's a lot of people who go into the business, and they must think they're good, or they wouldn't be in it. Why do you think that you're good enough to go into the business and make money at it? So I really wanted to ask myself that question a lot. Because it was an important kind of thing that I was going to do. I really wanted to do it, I loved it, and I thought that I was good enough that I could make money at it. And that's really what it came down to.
I think a lot of people who go to drama school have this ease with the text and they all have five monologues that they know by heart, and I never had that. I've done Chekov and I've done Moliere and I've done classic stuff
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