A Quote by Kyle Lowry

Growing up, there were not many people I trusted. There are stories for days about how my attitude was. A lot of it's true. A lot of it's not true. — © Kyle Lowry
Growing up, there were not many people I trusted. There are stories for days about how my attitude was. A lot of it's true. A lot of it's not true.
How many stories have you read that aren't true, stories about me and Angie being married or fighting or splitting up? And when we don't split up, there's a whole new round that we've made up and we're back together again!
Writing a book about [Buckminster Fuller] in the sense of deciding how much to - how much biographically to gloss over and how much I can leave out is relatively easy as it is because the true believers already know everything. They know a lot of things that are not true and they know a lot of things that I thought were (and seems there's very good evidence not to believe) and therefore, my starting point was I think to tell his myth because that's what grabbed me.
When you're on an independent film, you have a lot of great people there who are telling really true and authentic stories. But you also have a lot of con artists and people who think they can do something that they can't.
I happen to write a lot of stories that make Kissinger look bad. I'd rather that the stories weren't true, but they all happen to be true.
I read a lot of true crime growing up - 'The Stranger Beside Me' by Ann Rule about Ted Bundy.
There are a lot days where I don't know if God exists. There are a lot of days where I think the leadership of the Church is wacky, a lot of days where I really doubt why I am a part of this thing. But, down deep, I know it to be true. Down deep, I know how much I love it and that's what sort of gets me through. The churches are the pope, and its priests and its mystery and everything. I just sort of like the whole thing.
Growing up in the '80s, questions of style and music and youth culture all seemed inherently political - like gay rights issues, dressing up, wearing makeup, arms protests. A lot of attitude and opinions were expressed through clothes, and they all were meaningful. So in that way, I was so excited about the connection between our private lives and politics - who I kiss, how I like to dance.
People have heard about me, but they haven't heard about things my brother and my parents have gone through, and stories about growing up and living a dream come true.
I like when I tweet about Tony Hawk. A lot of times, people think it's true; like, I've tweeted about having lunch with him a lot, and people are like, 'Oh, how was he?' or, like, 'Do you have a pic?' I don't know how to explain it. He's right at the level where people could almost believe it, but it's also a really weird pairing.
It fit into my scheme of things for many reasons. At the time it was true that male dancers were looked down upon, and it was true that a lot of the male dancers were effeminate. But what I was really trying to do was develop something that would be American.
I feel like in the reading I did when I was growing up, and also in the way that people talk and tell stories here in the South, they use a lot of figurative language. The stories that I heard when I was growing up, and the stories that I read, taught me to use the kind of language that I do. It's hard for me to work against that when I am writing.
We're looking for stories that speak to us. We're looking for stories that connect us with something true. But, instead, a lot of the time we get strippers. All I'm saying is, when boys are writing the stories, the percentage of strippers is bound to go up. And real stories about real women kinda don't get written at all.
We've always done things the way we wanted to. It's true that our experience affects some of our decision making, but that's a part of growing up and evolving as a band and as people. The first five or six years were really rough. We had no money. We were lost and crazy and made mistakes, but we learned a lot and suffered through tough times, and I think what we did reflected where we were and who we are.
I think a lot of style is about attitude - posture, deportment, gaze and confidence. I saw that in my mum. She was a cleaner when we were growing up, but she had this stylish presence I admired.
There are limits to what we can do. That's for sure. That is true. One of the downsides of a growing economy [is that] we're accommodating a lot more people. They're buying houses and the market is growing. That is part of the downside of that, but I think that all of us do have to decide to act on it.
Yes, of course my father harmed and caused a lot of damage but both stories are true. He did things to help and destroy Colombia, both are true.
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