A Quote by Kyle MacLachlan

One of the things that I learned in television, and one of the beauties of television, is that, if you have a strong writing staff, they rely on you just as much as you rely on them. They look to me or the other actors to help inspire them to take the character in interesting directions.
I think television has become such an interesting place for characters and for incredible storytelling. Half of what I watch are television shows that I've become obsessed with. I just think that it's opened up so much, to be such an interesting and creative medium, and so many wonderful directors and actors are moving to television because it is a great medium for telling stories and for creating a character over a long period of time.
Some celebrities, it's interesting, because they're fantastic playing a character when somebody is writing the lines for them, and they're amazing actors, but they're not as comfortable on television in front of a live audience and just having a conversation and being themselves.
I started in theatre, moved into film and television, and started doing voice work, which is funny because after a long time in film and television, you forget how much you rely on just a simple look on your face.
Each time I look at my members, I rely on them to act as a driving force that I can always lean on for support. Because we're in this together, we do rely on each other, and power through.
I realize how much I rely on the actors to really know the lines because I tend to forget what they are exactly, even though I've written them. I don't have them memorized. But when it's going well, there is that point where the actor starts to know more about the character than I do.
We don't survive without plants and animals because we rely on them, we rely on plants to put oxygen into the atmosphere, we rely on ... fish and crops and cows to eat.
When you write comic books and when you are writing for television, you're not writing the end product, you are writing notes for someone else to make the end product essentially. My scripts are just directions for the artist to draw pages and the pages are what is seen. I kind of feel like it's a safety net, you're able to hide behind the art to a certain extent, and in television you're able to hide behind the actors and the production, but with novels, your words are it
Never hesitate to show your own staff that you need help. They need to be reminded how important they are to the process. In life and in business, we rely on each other to be responsible for individual tasks that benefit everyone. People sometimes forget how much interdependence there really is in a successful business. Learn the art of asking for help to empower and motivate others, and you will have learned a very powerful management strategy.
It just seems there's better things to do in your life than be on television if it's not interesting, if it's not challenging, if it's not fun. You know? When it stops being those things for me, I'll stop making television.
To produce things and to rear them, To produce, but not to take possession of them, To act, but not to rely on one's own ability, To lead them, but not to master them - This is called profound and secret virtue.
My devils and angels, fears and hopes, insights and stupidities, loves and loathings, are what they are. I don't edit them out so much as try to make them interesting - whether I am talking to you, or writing a poem, or joking with my kids, or speaking on television.
Warner Bros. got into television very early, so I did a lot of television there. In the beginning, it was sort of okay to do television. But then it became this thing where movie actors didn't do television - they certainly didn't do commercials, because that just meant the end of your career.
You're always going to have ups and downs - if you look at the careers of a whole bunch of people I respect, some of them have good movies, some of them have bad movies. I remember Andrew Garfield said that the only power we really have as actors - or one of the main powers we have as actors - is our choices. We can make interesting choices, but as soon as you've made that choice, so much else is in play: the director, the script can change, the other actors. All you can do is try to make interesting choices and, once you're in it, just do the best you can.
I believe when you're writing film or television, you can't rely on a crutch or rule that exists outside of the narrative of the film.
From the very beginning, I studied acting, directing, lighting, dance and movement. I didn't rely on just the magic to take place. It's a shame that a lot of magicians just rely on the trick itself and they have no other abilities. They get away with the wonder factor, and I don't think that's enough. It's great, but it's not enough.
I learned that comedy is born out of strong characters. I won't begin writing a character until I have a clear take on them.
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