A Quote by Kyle MacLachlan

For the time it takes to make the film, you are treated like a cosseted pet. Then the process is over, and you're hung out to dry. It's like being a mink. — © Kyle MacLachlan
For the time it takes to make the film, you are treated like a cosseted pet. Then the process is over, and you're hung out to dry. It's like being a mink.
I don't like the process of meeting someone and you make a film and that's it. You think you're just getting started, and then it's over.
It [lighting the set up] is quite a process. It's like drawing. It's like being an artist. You pencil it in first, and then you ink it. When you're filming, it's like you're penciling it all in. You know where everything is going to go. But, that application of the final ink takes some time.
I had forgotten: this is what it feels like to live in time. The lurching forward, the sensation of falling of a cliff into darkness, and then landing abruptly, surprised, confused, and then starting the whole process again in the next moment, doing that over and over again, falling into each instant of time and then climbing back up only to repeat the process.
I felt so full of love for everything. But at the same time, I felt so hung out there to dry, like nobody could ever understand. I felt so alone in this world, and so loved at the same time.
One of my pet peeves about biblical epics was that the characters' costumes always looked like they're just out of the dry cleaners.
I like to act in films, I like to shoot 'em, I like to direct 'em, I like to be around 'em. I like the feel of it and it's something I respect. It doesn't make any difference whether it's a crappy film or a good film. Anyone who can make a film, I already love. But I feel sorry if they don't put any thought in it because then they missed the boat.
Basketball isn't easy. All my life I've been striving to make myself better. It's a full time commitment. To be the best, you have to work the hardest. You have to chase what seems impossible over and over and over again, because giving up is not an option, and when you feel like you've reached your limit, it's only the beginning, that's when the time to dig deep, to find the courage to push some more, because if you've got the drive, the discipline, and the resolve to do what it takes to make yourself great, then the rewards are endless.
Sometimes, being happy or being nice can leave me feeling a bit hung out to dry. Especially if everyone else who I'm around is way more guarded.
I'm planning some films in the U.K., and it will have pros and cons. It takes a lot more time to set up a film in the U.K., because you can't rely on much. In Greece, friends show up and bring what they can and you make the film. Well, that's a bit simpler than how it really is. But when you make a film with proper industries, it takes more time to synch all these things.
Like most of Italy, Neapolitans like their food, and there are restaurants everywhere. But to make like a true Neapolitan, grab a pizza from a street vendor and eat it there and then. We tried a pizza that's folded over four times to make it nice and portable, then you eat it straight out of paper, like fish and chips.
I hate to write and spend months just waiting for the film to get financed. Then when you start preparing the film and you shoot it, you've already forgotten why you wanted to make the film in the first place. I like to have some kind of coherent energy that takes you through writing, preparing, shooting.
Much like film, authors spend a fair amount of time alone in the creative process, tossing their work out into what can feel like an abyss, void of real people.
I really thought the process and what I'm used to doing on film would be different. I thought that because I wouldn't have the same amount of time, I wouldn't do all of the tracks that I like to do or the lighting that it takes. And then, I got there and realized that I don't know any other way. I just do all that stuff really, really fast and under a lot of stress.
If I'm really considering doing film from now on then that is the smart thing to do, or you can go either way. You can just do the same character over and over again and make a different comedy like over and over again.
I'm not Akira Kurosawa. He used to write...He used to write a completely new spec script over a couple of nights. I'm not like that. It takes me a long time to put a film together that I want to make.
My tutor was a film director on the side, and she introduced me to film. She then put me in one of her short films, and it came out of that. That's when I fell in love with the process of making a film. After that, I was about 15 and I was like, "This is what I've gotta do." So, I started taking acting lessons, and then I applied to college to do acting. I got an agent, and it all just happened.
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