A Quote by Kyle MacLachlan

When I started acting, my whole focus and intention was to work as a stage actor in a company where you're asked to different roles - do a comedy, do a tragedy, etc. I haven't had any reservations about jumping from one type of genre to another.
I've had a chance to really stretch and do a lot of different genres. When I started acting, my whole focus and intention was to work as a stage actor in a company where you're asked to different roles - do a comedy, do a tragedy, etc. I haven't had any reservations about jumping from one type of genre to another.
I was good in comedy so I started getting such roles but as an actor you don't like to do same type of roles.
I started in comedy when I first started as an actor on stage and doing improvisational theater and stuff like that. So a lot of people who know me know that sort of side of me. But I got the roles that I got as an young actor kind of steered me in a different direction, which were, at times, darker characters. And so comedy was not something that came easy for people to think of my in those terms.
In my career, I've had kind of a strange trajectory as an actor. I started out doing movies and theater and stuff, but then I had a terrible problem with stage fright as an actor on stage, and I quit stage acting for a long, long time.
There's comedy in tragedy, and tragedy in comedy. There's always light and dark in most jobs. Whether it's framed as a comedy, drama or tragedy, you try to mix it up within that. You can work on a comedy and it's not laugh-a-minute off set. You can work on a tragedy that's absolutely hilarious.
I was sort of trained in drama. I went to theater school. I started on the stage. Comedy is absolutely an essential part of what we do as actors. But I think in the grand scheme of things, comedy was born from tragedy. First there was tragedy and then there were the comedies.
The problem is that I work in more than one genre. It's impossible for me to aim for a single one because, for me, comedy is mixed with tragedy. That's very Spanish, the way in which comedy and tragedy are inextricable from each other.
I started acting, when I was 15, in commercials and guest roles. I was definitely a working actor, so I was thankful for that. But I never had to work at a store, although I would have liked to.
For me, as an actor, just to keep acting and to keep being able to work and to do different roles and challenging roles, that's something I'd love to do.
You gotta understand, there weren't a whole lot of roles for Hispanics in the Eighties, so comedy was really the way I could really feed myself and eventually feed my family. I was an actor who learned to be a comic, and it's cool to come back and get back into acting - move forward in the direction I started out to do in the beginning.
An actor is an impersonator; he plays many different roles. If you played the same role all the time, God - that'd be a boring career. When you take on different roles and become a different person, that's called acting... It's a challenge.
I had been asked to start going out for roles here and there throughout my career, but I know that acting is a hard thing; it takes a lot of work, and I was traveling. I didn't have the time to really focus on it, so I really waited for the right project to come along.
As an actor, I'm not sure what I had to offer the world of tragedy and comedy when I was 21. I hadn't lived a whole lot. By my middle 30s, you know, I had been knocked around a little bit.
I started doing little amateur nights at the comedy club that was right next to the restaurant that I waitressed in when I was in university. I was probably 22 years old. I didn't do it with any intention of making a career out of it; I had just always valued comedy.
As an actor, it made me realize a really important lesson. I didn't have to put any spin on the ball as Rita [in Dexter]. All I had to do was speak. And there was such simplicity in that as an actor. With Debra, I was trying to put a square peg into a round hole, and it just didn't work, but in my mind, because I had to work so hard on it, I was, like, "Oh, this is acting!" But that's not acting.
My neck and shoulders are killing me. Hard to focus on writing about murder, doom, shagging, our hopeless future & other comedy etc etc.
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