A Quote by Kyle MacLachlan

'Dune' was like a giant machine, and it was hard to keep track of all the pieces, but 'Blue Velvet' was a very sleek, compact little experience. — © Kyle MacLachlan
'Dune' was like a giant machine, and it was hard to keep track of all the pieces, but 'Blue Velvet' was a very sleek, compact little experience.
In burgundy, a well-cut and properly tailored velvet blazer looks dashing with gray flannels and a cashmere sweater or a sleek, solid velvet tie.
Music has fed me a lot of ideas... The film BLUE VELVET came out of Bobby Vinton's version of the song BLUE VELVET.
She wore blue velvet Bluer than velvet was the night Softer than satin was the light From the stars She wore blue velvet Bluer than velvet were her eyes Warmer than May her tender sighs
The micro-compositions are the pieces themselves, but the macro-composition is the whole set of them and how it moves from track to track and how the titles relate to one another, for example. Always when I do records like this of a selection of instrumental pieces - the titles, to me, are very important.
I remember one night, my parents were out at a function of some kind and I had just gotten cable in my room. That was a big deal, and I saw 'Blue Velvet' on HBO. It blew my mind in a way that I don't think children's minds are supposed to be blown, but they probably shouldn't be watching 'Blue Velvet.'
David Lynch plucked me from obscurity. He cast me as the lead in 'Dune' and 'Blue Velvet,' and people have seen me as this boy-next-door-cooking-up-something-weird-in-the-basement ever since. I was 23 when I first met him, in his bungalow on the Universal lot, and could never have predicted we would have such an enduring relationship.
Instead of the machine being a giant to which the man is the pygmy, we must at last reverse the proportions until man is a giant to whom the machine is the toy.
I do enjoy wearing Japanese and Italian clothing. I also enjoy my blue jeans or tennis shorts and running shoes. I like driving a Porsche because it is an elegant machine and it is a very beautiful experience to drive it. It's magnificently made.
I have a little bit of a pet peeve about how the middle class is depicted in movies. I feel like they tend to be either depicted in a very sentimental way, where everybody has a heart of gold except for the villains you're supposed to hiss at, or there's a sort of indie-style version... When it's done well, it's brilliant, it's 'Blue Velvet.'
It's two seasons since I raced in Sepang and I'm looking forward to it now. It's a track where you have a little bit of everything - it's hard to ride, it's hot, there are fast and slow corners, hard braking, long straights and everybody has references from the tests. Nevertheless, we need to wait to see on Friday what the temperature and track conditions are like to understand how the tyres will work, because it's normally very slippery. I'm really enjoying racing at the moment and I want to continue like this, pushing the maximum from our side without thinking about the others.
But the difference between the little pieces and the big pieces - I'm not actually sure which are the little pieces. With some of the big pieces, it's a lot of musical running around, whereas the little pieces, you can say everything you want to say.
I have a little bit of a pet peeve about how the middle class is depicted in movies. I feel like they tend to be either depicted in a very sentimental way, where everybody has a heart of gold except for the villains you're supposed to hiss at, or there's a sort of indie-style version... When it's done well, it's brilliant, it's Blue Velvet. But when it's done poorly, it feels like shooting fish in a barrel, just saying, "Ooh, scary suburbs."
The hippopotamus is a vegetarian and looks like a wall. Lions who eat only red meat are sleek and slim. Are nutritionists on the wrong track?
There was a culture that came out of the self-esteem movement which was don't anybody keep track of the goals. The kids keep track, but nobody keep track of the goals because we don't want the kids to have the experience of losing. And in depriving them losing, thinking it scarred them to lose, we made losing so taboo, so unspeakable, that we instead made losing more scary to kids, not less scary.
It's very hard sometimes when you can't crack something or can't solve something and you keep trying and trying and you know it's falling a little bit short. That's very hard, but then when you finally do it, it's very rewarding and the process is good too, I like working with people this way.
My approach is to start from the straightforward principle that our body is a machine. A very complicated machine, but none the less a machine, and it can be subjected to maintenance and repair in the same way as a simple machine, like a car.
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