A Quote by Kyle Mooney
'Nathan for You' was my first time being in a writer's room, really.
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First of all, Marty Foster is a really good fellow. No. 2, Google or YouTube the time he called Ben Zobrist out on a strike three against Joe Nathan couple years ago that gave Joe Nathan his 300th save.
Being a writer is a very difficult craft. Just like learning an instrument, it takes a long time and I couldn't really say I was a writer even after my first memoir.
Comedy can be, especially in a writer's room, really aggressive, kind of a very male-dominated room, and it would be hard for women. It's not a nurturing place. It's not like a lot of women are going to say, I can't wait to live that lifestyle and be in a writer's room until 2 or 3 a.m.
I really love being in a room and developing work.: being at the table, looking at the script for the first time, and putting a story on its feet.
Being pregnant taught me how to be a better writer. It was a lesson in negative capability and surrendering to necessity. Suddenly, my body instinctually yielded to the needs of this growing being, and I had no choice but to embrace what was happening and all that lay ahead, even if I was afraid and uncertain. So, while being a parent has made writing more challenging, it has also made being a writer more certain. There's no room to procrastinate; there is to time for fear.
If you're in the writer's room, in any writer's room in the world, before you pitch a joke or suggest an idea, you first think it's funny and decide to say it out loud. The next step is for the people around you to accept it or reject it, before it ever sees the light of day, on film or in front of an audience.
I wouldn't say that I'm very similar to the character of Nathan at all. Both of us have had very different upbringings and backgrounds. I have a competitive nature like the character of Nathan. That's really easy to draw from when I'm acting; that's probably the biggest similarity.
I think the first thing - if you want to be a writer - the first thing you need to do is write. Which sounds like an obvious piece of advice. But so many people have this feeling they want to be a writer and they love to read but they don't actually write very much. The main part of being a writer, though, is being profoundly alone for hours on end, uninterrupted by email or friends or children or romantic partners and really sinking into the work and writing. That's how I write. That's how writing gets done.
Coming at the acting business as a technician, I really enjoy the process of working. I really enjoy being in a rehearsal room, starting a theatre piece for the first time. I really enjoy shooting in front of the crew, and I really love going on location. I think all that is just so exciting. So I've never really been drawn into the fame of being an actor, which in L.A., is part and parcel of the deal. I think for a lot of people, especially kids, it's hard to not get wrapped up in the world of the perks that the job brings.
I was born Joseph Lane, but when I applied to the actors union, they said they already had a Joe Lane on the books and I'd have to change my last or first name. I had played the character of Nathan Detroit, whom I liked very much, in 'Guys and Dolls,' so I took the name Nathan.
I still can't quite believe it. Although there was something about the fact that it was a first-time writer, a first-time producer, and a first-time director all at the same time.
The first time I was in Stockholm, everybody was real cordial, but I started having these nightmares that I was being watched by aliens, basically all the time. My theory on it was that it was really, really unnerving to be in a place where English isn't the first language.
My first book is really comparable to what I do now, where it's pretty surreal and strange at moments, but that being my first book - I wrote that when I was 22; it came out when I was 24 - and it was just really overwritten. I just didn't trust myself as a writer to say something once.
If you've never seen people taking the pledge of allegiance for the first time as U.S. Citizens, it will move you: a room full of people who can really appreciate what I was lucky enough to grow up with, simply by being born in Brooklyn.
I think the trick of being a writer is to basically put your cards out there all the time and be willing to be as in the dark about what happens next as your reader would be at that time. And then you can really surprise yourself. There's that cliche, "No surprise for the writer, no surprise for the reader!"
They don't sell the Nathan's hot dogs hardly anywhere in the West Coast. So I have to special order them, and I just end up getting Nathan's to ship them to me.
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