A Quote by Kyle Parker

It sucks to try and book a tour without the internet, and I'm not even doing it. — © Kyle Parker
It sucks to try and book a tour without the internet, and I'm not even doing it.

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I didn't even know what a tour manager was, but I was the tour manager, booking agent, all that stuff for almost two years without knowing it. I wasn't overwhelmed, because I enjoyed doing it.
I try to write every day. I don't beat myself up about word counts, or how many hours are ticking by on the clock before I'm allowed to go and do something else. I just try to keep a hand in and work every single day, even if there are other demands or I'm on a book tour or have the flu or something, because then I keep my unconscious engaged with the book. Then I'm always a little bit writing, no matter what else I'm doing.
You have to surrender to your mediocrity, and just write. Because it's hard, really hard, to write even a crappy book. But it's better to write a book that kind of sucks rather than no book at all, as you wait around to magically become Faulkner. No one is going to write your book for you and you can't write anybody's book but your own.
When I get back from this book tour, I'm planning to learn the internet. Maybe I can hook up in cyberspace.
The book I made it big with in the U.S. was my fourth book, 'Sanctum.' My novels sell really well both there and in Canada, so once a year I do a promotional tour, visiting a different city every two days, doing book readings and signings.
The book tour is a strange institution. You are wheeled about to explain your book and even to justify it.
So we are not doing the traditional album, tour, album, tour, album, tour anymore. We're going to tour when we want to, regardless of whether we've got a record out.
Chaos is hard to create, even on the Internet. Here's an example. Go to Amazon.com. Buy a book without using SSL. Watch the total lack of chaos.
I follow the baseball team on the Internet more than I do the football team. Generally you can get a Nebraska game anywhere. Before I started doing big arenas and stuff and had a tour bus when I was just working comedy clubs way back when I would always listen to the games in my hotel room on the Internet.
The Internet has been a blessing and a curse. The curse we know: A lot of people appropriating your intellectual property without paying for it. But I think it's important to realize the blessing of the Internet, which is that everybody has a voice and you can break through, even without a record company.
As I was whizzing around the United States on yet another demented book tour, getting up at four in the morning to catch planes, doing two cities a day, eating the Pringle food object out of the mini-bar at night as I crawled around on the hotel room floor, too tired even to phone room service, I thought, 'There must be a better way of doing this'.
You can't keep putting out the same record, it has to be better than the last thing you did. You have to find out what sucks, you have to stop doing what sucks... you've gotta find out what you're doing right, and you've gotta do more of that.
I made a CD in my dorm room and put it on the Internet, and my friends blew it up. Within a few months, I was doing shows across the country without a record deal, without a single, without anything.
There's only one thing more frightening than being asked to do a book tour, and that's not being asked to do a book tour.
I try not to look at stories on the Internet because I don't want to psych myself out. I kinda half to stay off the Internet. I'm not thick-skinned enough. I get too sensitive. I don't want it to effect what I'm doing.
If you try to control it too much, the book is dead. You have to let it fall apart quite early on and let it start doing its own thing. And that takes nerve, not to panic that the book you were going to write is not the book you will have at the end of the day.
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