A Quote by Kyle Richards

I am always a little skeptical when I see people talking about how much money they have. — © Kyle Richards
I am always a little skeptical when I see people talking about how much money they have.
Interesting thing that is happening in American society is that people are starting to talk about money. I don't know how you feel about this, but for a long time, nobody was talking about money. It was a secret. And it's kind of very interesting because we do lots of stuff to portray to people about how much money we have, the clothes we wear and the cars we have and the house - they all kind of depict to other people, signal how much money we make, but we don't talk about it specifically.
You guys are always going off about how much money you have. Do you realize what's going on in this world right now?' All these black rappers? African rappers? Talking about how much money they have. Do you realize what's going on in Africa right now? It's just like, you guys are disgusting. Talking about billions and billions of dollars you have. And spending it frivolously, when you know, the Motherland is suffering beyond belief right now.
I'm as proud as the next guy, but I've always been a little skeptical of the daddies who walk around talking about what great athletes their kids are.
I am always struck by how difficult it is for people to see how much cruelty they are bringing not only upon animals but upon themselves and their loved ones and other people, how much we are screwing up the planet, how much we are hurting our own health, how hard it is to change all that, how eager people are to make a buck at everybody else's expense - all those things are discouraging.
I don't see social media as lending my voice as much as I see it speaking my truth. If you look at my open letters, the one I wrote about Blue Ivy too - you see, I am always as the foundation, talking about us being a better humanity. I believe in that.
People try to apply directly results from the cognitive neurosciences directly to classroom practice and I have to tell you I am very skeptical about the exercise. We don't know very much about how the brain works - we don't even know how you remember to write your name.
There is so much in this world to be skeptical about if you want to be a skeptical a**hole. I'm kind of a skeptical a**hole. But not about vaccines, that's just not one of them.
You are born with a sound; everyone is, less or more. And this sound has to be developed. I am not talking about vocal technique; I am not talking about how to sing. I am talking about how to produce a sound.
I am sometimes asked, 'Why do you spend so much of your time and money talking about kindness to animals when there is so much cruelty to men?' I answer: 'I am working at the roots.'
I don't believe in talking about my work. I let it speak for itself. I'd rather make money than just talk about my business. People think that because I don't talk much to the media, I am arrogant. I am not arrogant, but I do have an attitude.
We see through the eyes of children that they're not talking about race the way we grown folks are. They're not talking about color or how much melanin is in someone's skin.
I am old enough to see how little I have done in so much time, and how much I have to do in so little.
I don't think so much about verbal comedy. I always think about visual comedy. I was raised watching silents, and I'm always thinking about how to make cinema, not good talking - although I want good talking. I'm much more interested in framing, composition, and orchestration of bodies in space, and so forth.
The measure of a conversation is how much mutual recognition there is in it; how much shared there is in it. If you're talking about what's in your own head, or without thought to what people looking and listening will feel, you might as well be in a room talking to yourself.
I was never interested in money. I always looked down on it. But now that I have less money, I see that without money, you cannot do much. Everything in the end is about money.
It might be David Adjaye talking about how the structure of jazz music informs his architecture, it might be the musician Terry Riley talking about how he thinks so much about cinema. I'd love to see more of a rupture between mediums and a flow between them.
This site uses cookies to ensure you get the best experience. More info...
Got it!