A Quote by Kylie Minogue

I just want to do everything. I don't want to sound soppy or too cliched, but that's the way it is. — © Kylie Minogue
I just want to do everything. I don't want to sound soppy or too cliched, but that's the way it is.
More than being a star, I want to be an actor. This may sound cliched but that is how it is.
I don't know what I want, but I do know that I don't want the usual stuff, the cliched stuff is just too mind-numbing. They sell, I know, but it makes me sad to know that.
I just want to try everything. I want to see how good I can be, the best I can be at what I'm doing. I want to do everything. You know? I want to be in a musical. I want to do everything. I want to try and sing.
I'm very interested in vertical space.I want the players to listen to their sound in such a way that they hear the complete sound they make before they make another one. So that means that they hear the tail of the sound. Because of the reverberation, there's always more to the sound than just the sound.
I love Jesus Christ with all my heart and everything He stands for. I think that sums up everything that I want for my life, everything I want for my family, everything I want for my career. I want it to be entertaining. I want people to smile and tap their toes, but I want it to be meaningful when the day is done.
That sucks, though," Wes said finally, his voice low. "You're just setting yourself up to fail, because you'll never get everything perfect." "Says who?" He just looked at me. "The world," he said, gesturing all around us, as if this party, this deck encompassed it all. "The universe. There's just no way. And why would you want everything to be perfect, anyway?" "I don't want everything to be perfect," I said. Just me, I thought. Somehow. "I just want—
I've watched and learnt from DJs and remixers and paid way more attention to how I want my voice to sound. Before, as long as it was loud and in tune it was fine. I've discovered the difference made by various microphones and effects, so each track has a different vocal sound, my voice is woven into everything and it's above everything.
The main thing is the ability to control your instrument, which, in the actor, is yourself. Look the way you want the character to look. Sound the way you want the character to sound. Once you've trained the instrument to do what you want, you're in control, and you're free.
When I was a little girl my parents always told me do everything you want in an artistic way. If you want to draw, make a drawing. Just do it. And if you want to play piano, play piano. It was a very free childhood where everything was possible.
People want their actors to do comedy, too. They don't want any comedians next to the actor. They want one solo hero and want to see everything in him.
Being part of what I call the "click" generation - where everything has to be fast and revolutionary and you just want more, and it's about likes and consuming - I want to bring new things to the table. A lot of designers say they're scared or overwhelmed because everything moves so quickly now. I think it would be scarier if it was too slow. I want to go fast.
I don't think you can ever do too much. Life would be so boring if you didn't have these, like, holes to fall into and climb out of. I want to do everything. I just want everything. I don't think you can ever have too much.
I don’t want to be perfect. I want to be useful, I want to be good, and I want to sound like myself. Trying to be perfect gets in the way of all three.
I take everything someone says and the way they say it to heart. I just notice everything. I'm very, like, I know what I want. I know what I want to do and what I don't want to do. It may seem like I'm care-free but I'm care-expensive.
I want to be a Renaissance woman. I want to paint, and I want to write, and I want to act, and I want to just do everything.
I am alone in the world, and yet not alone enough to make each hour holy. I am lowly in this world, and yet not lowly enough for me to be just a thing to you, dark and shrewd. I want my will and I want to go with my will as it moves towards action. And I want, in those silent, somehow faltering times, to be with someone who knows, or else alone. I want to reflect everything about you, and I never want to be too blind or too ancient to keep your profound wavering image with me. I want to unfold. I don't want to be folded anywhere, because there, where I'm folded, I am a lie.
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