A Quote by Kym Whitley
My cousin was Ron O'Neal, who was 'Superfly.' Films like 'Shaft' and 'Superfly' were the biggest things out there in the early '70s. It's hard to remember just how big they were - how much impact they had on the culture, the music, the fashions, the hair styles.
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I remember when we were having cage matches and Superfly Snuka was the first to do this - both of us were doing dives off the top rope - but at MSG he did off the top of the cage onto Don Muraco.
When I was a kid, a lot of my parents' friends were in the music business. In the late '60s and early '70s - all the way through the '70s, actually - a lot of the bands that were around had kids at a very young age. So they were all working on that concept way early on. And I figured if they can do it, I could do it, too.
The first big impact that feminism in the 1960s and '70s had was a big divorce boom in the '70s and '80s. That, in part, had an impact on how the children of that divorce boom viewed marriage.
You look back and see how hard you worked and how poor you were, and how desperately anxious you were to succeed, and all you can remember is how happy you were.
I have a cousin, a second cousin, who lives in L.A., and she was with me while I was getting ready. She was talking about her father and his brothers. And I remember my mother's tales of how competitive they were with each other and how they would play for blood, you know. And I thought - I'm an only child, and I don't know what that's like. I have to figure out the Southern thing.
Quentin Tarantino was talking about Ordell a little bit, and I was like, "I'm sure Ordell is one of those people who thought Superfly was the greatest movie ever made." So he cuts his hair and straightens it, but he never has enough money to maintain it perfectly. So it's kind of nappy around the edges, straight and kind of puffed up. That's why he'd always keep it in a ponytail or a braid. We were just having fun and creating a distinctive character.
Lady Gaga reached out to us saying how much she loves our music, and we were just like, 'What?! She knows who we are?!' That's how mindblown we were.
I see The Gap ads as being a great example of how branding has changed. Those Gap campaigns are pop culture. They've been incredibly powerful. They have had the kind of effect on culture that a hit band has. Just look at The Gap's Khaki swing ads, which were music videos. They had this tremendous impact on the industry - suddenly everything started looking like Gap ads and it became difficult to know who was co-opting whom and who was creating culture.
My dad was in these pretty big films that were relevant to my age group. I remember him doing 'Richie Rich' when I was eight-years-old, and then 'Jumanji.' I remember going to these sets, and I loved being on film sets. I just found it fascinating watching how stories were made.
By climbing mountains we were not learning how big we were. We were finding out how breakable, how weak and how full of fear we are.
Requests for mustache rides were the big common theme, around the time of the release of the season. People were saying how much they hated him, obviously, and how they would kill him or choke him. There were just all kinds of things. You name it, I got it.
One afternoon a girl walked by in a bikini and my cousin Janet scoffed, “Look at the hips on her.” I panicked. What about the hips? Were they too big? Too small? What were my hips? I didn’t know hips could be a problem. I thought there was just fat or skinny. This was how I found out that there are an infinite number of things that can be “incorrect” on a woman’s body.
It's hard to describe how bloody awful music was, how desperately bad it was, how our 1960s heroes had become boring and useless. Not only were they bad - they were badly dressed.
I had been brought up in an elementary school where, my first few grades, I remember being specifically told that my teachers were gay. I was just that age and that was just how it was, and my parents were very... You know, that's how I was raised. Like super-progressive.
Holland was one of the first countries to adopt dance music into their culture, and we were the first ones to have really big raves. I grew up in that atmosphere in the early 1990s, and I was very interested in how dance music was made.
First off, I love Woody Allen. His early movies, like 'Hannah and Her Sisters,' are incredible. I also love anything by Billy Wilder, Ron Howard and John Hughes. I really grew up on the Hughes films, which are the ones I go back and watch all the time, just to see how they were put together.
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