A Quote by Kyra Sedgwick

But when you're in something together, it's very hard to be objective and you're very subjective. — © Kyra Sedgwick
But when you're in something together, it's very hard to be objective and you're very subjective.
The problem is one of opposition between subjective and objective points of view. There is a tendency to seek an objective account of everything before admitting its reality. But often what appears to a more subjective point of view cannot be accounted for in this way. So either the objective conception of the world is incomplete, or the subjective involves illusions that should be rejected.
I'm open to comments. I'm open to objective points of view, because I've been very narrow and very subjective.
Most people are subjective toward themselves and objective toward all others, frightfully objective sometimes--but the task is precisely to be objective toward oneself and subjective toward all others.
It's an objective fact that I am a double amputee, but it's very subjective opinion as to whether that makes me disabled.
A direct statement about yourself is considered objective only if it is negative. If it's positive, it is considered subjective. And 'objective' means it is accurate, and 'subjective' means it is conceited self-delusion.
Hitchcock makes it very clear to us. There's an objective and a subjective camera, like there's a third- and a first-person narrator in literature.
We've created this cottage industry in which it pays to be un-objective. It pays to be subjective as much as possible. It's a great way to have your cake and eat it too. Criticize other people for not being objective. Be as subjective as you want. It's a great little racket. I'm glad we found it actually.
It's very hard to be objective about something you're in, especially when you set it up against things that you experienced as a child.
Writing, for me, is a combination of objective and subjective approach. You take an objective approach at times to get you through things, and you take a subjective approach at other times, and that allows you to find an emotional experience for the audience.
Artists must literally go into a zone of intense seeing so the subjective and objective almost fuse together.
It's very hard sometimes when you can't crack something or can't solve something and you keep trying and trying and you know it's falling a little bit short. That's very hard, but then when you finally do it, it's very rewarding and the process is good too, I like working with people this way.
I've been in movies where the movie doesn't come together but the role comes together, or the movie comes together but the role doesn't come together or something like that. Something misses. It's very difficult to make it hit on all cylinders - it's just very rare.
I'm a very objective-driven bloke, so to have a goal in mind and to have something to do is very important to me.
If you don't allow yourself the possibility of writing something very, very bad, it would be hard to write something very good.
Without ignoring the objective side of the truth, it has to be subjective as well, Buddha's whole teaching just for you, something you can taste. Not something to believe in but to discover, to experience.
What makes a lot of suspenseful films work is very, very particular points of view and very subjective use of the camera.
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