A Quote by Kyra Zagorsky
For me, the thing that I love about the show is the psychological thriller aspect of it. It's frightening and it's scary, and there are all these things that happen. You have these really dramatic scenes, and then you get in a scene with him and I can't tell you how many times I would start cracking up.
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One of the biggest things growing up that my dad taught me is that if I was okay to talk about my feelings and express how I felt and not get angry, then he would listen to me. If I had issues, I would just tell him, 'Here's how I feel, this is what I'm feeling,' either with him or with my mom.
I would love to do something in the thriller category. Not so much horror, but I would love to do a full-on psychological thriller. That would be really interesting. A period piece would also be fantastic.
The funny thing as an actor is that you show up on the set, and your key goal really is to make the scenes that you're involved in honest and real. You're not concerned with the technical aspect of things, and then you sit in the movie theater, and you watch it with everyone else, you realize that, 'Man, this is pretty exciting.'
There are some things about myself I can’t explain to anyone. There are some things I don’t understand at all. I can’t tell what I think about things or what I’m after. I don’t know what my strengths are or what I’m supposed to do about them. But if I start thinking about these things in too much detail the whole thing gets scary. And if I get scared I can only think about myself. I become really self-centered, and without meaning to, I hurt people. So I’m not such a wonderful human being.
There's scenes where I really want to get things right, and all the kids know me as the person who says, 'Sorry.' I think I've gotten a lot better with that, but it's still the thing that I'm still worried about, trying to get the scene perfect.
It was the easiest thing in the world for Arya to step up behind him and stab him. “Is there gold hidden in the village?” she shouted as she drove the blade up through his back. “Is there silver? Gems?” She stabbed twice more. “Is there food? Where is Lord Beric?” She was on top of him by then, still stabbing. “Where did he go? How many men were with him? How many knights? How many bowmen? How many, how many, how many, how many, how many, how many? is there gold in the village?
It doesn't matter how many times you fail. It doesn't matter how many times you almost get it right. No-one is going to know or care about your failures, and neither should you. All you have to do is learn from them and those around you. All that matters in business is that you get it right once. Then everyone can tell you how lucky you are.
There's times when I'm really shy, so these roles that I get to play, they're how I would love to really be. And that's why I love doing stand-up, because it gives me the freedom to say what I really want to say. I think that's why it's my favorite thing to do.
I direct as an actor. Many times, I will say, 'Let me try this.' And I'll walk the scene through and see what I can tell the actor about it. I don't know what to tell him until I've actually tried it and seen what the problem is.
We were 15 minutes into it and nothing was happening; I thought, well, that's not going to work. Then all of a sudden everything clicked. I don't know how long it took us, but I would just show up at Alison's [McGhee] office. She would type and we'd just kick it back and forth. Writing is so scary for me, such a lonely endeavor, and it became a wonderful thing to show up and have somebody else go through it with me. It was actually a wonderful experience.
I love him. (Artemis) How can you say that? You don’t even understand what love means. Love isn’t being ashamed to be seen with the one you care about. It isn’t about punishment or hurt. Love is what gives you the strength you need to face anything no matter how brutal or frightening. It’s what allowed Ash to be beaten rather than tell his father about you. It’s what allowed him to be gutted on the floor at your feet rather than publicly shame you. And you spat on him for that love and tore him apart. For a goddess, you’re pathetic. (Tory)
Especially when I first really started to work with Kenneth and Franklin, who had been in space already. And so, they were able to talk about space and tell me a few things about how things would really happen.
Let me show you how to drive me crazy,Let me show you how to make me feel so good,Let me show you how to take me to the edge of the stars and back again.You've gotta show me how to drive you crazy,You've gotta show me all the things you wanna happen to you,We've gotta tell each other everything, we always wanted someone to do.
Rewriting isn't just about dialogue, it's the order of the scenes, how you finish a scene, how you get into a scene. All these final decisions are best made when you're there, watching. It's really enjoyable, but you've got to be there at the director's invitation. You can't just barge in and say, "I'm the writer."
A DARK MATTER is a page-turning thriller of every sort: psychological, sociological, epistemological . Plus, it's really scary.
One of the things that really impressed me about Anna Karenina when I first read it was how Tolstoy sets you up to expect certain things to happen - and they don't. Everything is set up for you to think Anna is going to die in childbirth. She dreams it's going to happen, the doctor, Vronsky and Karenin think it's going to happen, and it's what should happen to an adulteress by the rules of a nineteenth-century novel. But then it doesn't happen. It's so fascinating to be left in that space, in a kind of free fall, where you have no idea what's going to happen.
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