A Quote by L'Wren Scott
I usually build my collections on colors and on staples, so when you buy pieces, you are really adding to your wardrobe, and you're getting a new color palette to play with. The clothes are timeless and modern at the same time.
Related Quotes
For proper family portraits it's best to stick with classic, timeless looks that will not only be beautiful now but also in 20 years, and keep the wardrobe color palette similar so it looks like the group shot was well planned.
Whenever someone comes up to me and says, 'I'm having trouble shopping.' I tell them to pull out their 10 favorite, most-worn pieces, then build a wardrobe around them. Those staples are going to be different for everybody.
I don't believe in bright, cheesy colors that are applied from roots to tips. I'm not really into that. But I love the more fashion-y way of adding color to your hair methodically.
Before I started LimoLand, I mainly bought my clothes in Harlem, where I found clothing my size in fun colors. I still like to go there and see the vibrancy and colors of the neighborhood. I am also very influenced by the colors of my contemporary African and Japanese art collections.
Your attitude is like a box of crayons that color your world. Constantly color your picture gray, and your picture will always be bleak. Try adding some bright colors to the picture by including humor, and your picture begins to lighten up.
I've always thought for myself, that's something I want to focus on - color palette and the use of color. Rather than using it in a way that other makeup artists might, I try to enhance the color palette with the girl to really bring out her sickest features and make her look absolutely the best she can.
I don't know about timeless. I actually think most of what I do is completely modern, but universally modern. Who decides what timeless even means? Are the things that we consider timeless now going to, in fact, be considered timeless in 300 years? Probably not.
When you want to make the main color pure and bright, don't just keep adding bright colors on it. Just make the colors around the spot darker and dull. It will give the scene dramatical effects.I think the life is the same.
Another thing that you really do when you play, that you're supposed to do, is colors. You know, you cannot play with one color. If you play with one color, again, it's like watching a beautiful painting, a drawing, but it's all in blue or it's all in red. May be very nice, but not very interesting.
Color really doesn't have interaction if it's full of colors. It's the interaction or relationship among or between colors that makes a color image. This usually happens with a few colors, not a glut of them.
As long as you work in a color palette and you style what you already have within that color palette, it's going to look good together.
I like black for clothes, small items, and jewelry. It's a color that can't be violated by any other colors. A color that simply keeps being itself. A color that sinks more somberly than any other color, yet asserts itself more than all other colors. It's a passionate gallant color. Anything is wonderful if it transcends things rather than being halfway.
Life is a painting, and you are the artist. You have on your palette all the colors in the spectrum - the same ones available to Michaelangelo and DaVinci.
We used to look at each other and say, 'We play the same game with the same rules, the same bat, the same ball, the same field. What the hell does color have to do with it? You don't play with color. You play with talent.'
Everybody's going to do the 3D slightly differently the same way that people are going to deal with color differently. Some movies downplay the color, some color is very vibrant. Color design is very different. We've got to think of 3D like color or like sound, as just part of the creative palette that we paint with and not some whole new thing that completely redefines the medium.
All students need to know about color is the basic color wheel and complimentary colors. There are many books on color theory; do not waste your time and money.
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