A Quote by L'Wren Scott
I am a fashion designer, so I guess that makes me an overpacker.
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Playing a fashion designer could be the bane of my existence because I am married to a fashion designer.
What's important to a fashion designer? It's much more than learning how to make clothes. In fact, that merely makes you a dressmaker. It doesn't make you into a fashion designer.
You see me, I wanted to be fashion designer. I became fashion designer. So I think that everything is possible.
Andrew Preston and I moved to Florida, to get some air. Am I going to live there forever? No, I'm not. But I have a warehouse, all white, concrete floors, a big, big space with very high ceilings and nothing inside. And that's where I go to work, and I like that because I just like to be alone and quiet. Is it explainable as a typical fashion designer? No. But am I a typical fashion designer? I don't think so.
Growing up, I wanted to be a fashion designer, which I'm still in school for. Like, that's what I want to be: a fashion designer.
It's funny, my girlfriends think that because I am married to a fashion designer, I get all these great tips and hints about great fashion, but it's not like that at all. He never tells me what to wear.
I'm a fashion designer. What I do is artistic, but I'm not an artist because everything I do is destined to be sold. That's not to say that you can't be an artist and a fashion designer. I think some designers are artists.
I would really think twice about being a fashion designer if I was young right now, especially being an independent fashion designer the way I started it.
I graduated from Academy of Fashion and Costume Design in Rome. At first, I thought I was going to be a costume designer for films, and then I ended up working in fashion - not as a designer, but mostly as a model.
I love to design. I am a commercial fashion designer. I always design jackets with two sleeves. I don't design jackets with three sleeves, or the layers and layers come off like little dolls from Russia. Fashion for me is a creative endeavor, but it is not art for me.
My first girlfriend, when I was about 18, was a fashion designer, and my sister was a fashion designer as well. I've always been into shopping, and I've always been very aesthetic, in a sense.
Fashion designing involves a lot of work, and, as opposed to the general perception, it is different from costume designing for films. While a fashion designer can take up a costume designer's role, it is not possible vice versa.
Topshop is one of my favourite shops, and I love shoes by Giuseppe Zanotti. There's a graduate fashion designer called Kate Falcus who makes me beautiful commissioned pieces - one of my favourites was the white Glastonbury dress she made me with the puffy skirt.
I just use fashion as an excuse to talk about politics. Because I'm a fashion designer, it gives me a voice, which is really good.
As an industrial designer, you design the thing by yourself, and then it goes away from you, whereas fashion is in constant relation to the body and to psychology. It makes it more complicated, and it makes it more challenging.
I think I am obsessed with Lucie Rie. I love the way she collaborated with Miyake, who for me is probably the most important fashion designer of the 20th century.
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