A Quote by L. Frank Baum

When I was young I longed to write a great novel that should win me fame. Now that I am getting old my first book is written to amuse children. — © L. Frank Baum
When I was young I longed to write a great novel that should win me fame. Now that I am getting old my first book is written to amuse children.
Some of my youthful readers are developing wonderful imaginations. This pleases me. When I was young I longed to write a great novel that should win me fame. Now that I am getting old my first book is written to amuse children. For aside from my evident inability to do anything "great," I have learned to regard fame as a will-o-the-wisp which, when caught, is not worth the possession; but to please a child is a sweet and lovely thing that warms one's heart and brings its own reward.
I've published over 100 books - and that is divided about 50/50 adult and young adult. Lately, I have been writing more YA, which is such a great genre to write it. I don't have a favourite (I usually say it's the last book I've written), but certain books do stick in the mind. My very first YA novel, The Children of Lir, will always be special to me, and, of course The Alchemyst because it was a series I'd wanted to write for ages.
I think, for me, there's The Book I Should Write and The Book I Wanted to Write - and they weren't the same book. The Book I Should Write should be realistic, since I studied English Lit. It should be cultural. It should reflect where I am today. The Book I Wanted to Write would probably include flying women, magic, and all of that.
The book I am best known for, or only known for, is a novel I am prepared to repudiate: written a quarter of a century ago, a jeu d'esprit knocked off for money in three weeks, it became known as the raw material for a film which seemed to glorify sex and violence. The film made it easy for readers of the book to misunderstand what it was about, and the misunderstanding will pursue me till I die. I should not have written the book because of this danger of misinterpretation.
I am 55 years old now. It takes three years to write one book. I don't know how many books I will be able to write before I die. It is like a countdown. So with each book I am praying - please let me live until I am finished.
When I need to take a side, I write a newspaper article and I tell my government, "You should not do that, you should do this." They don't listen to me, but I've been doing this for sixty years now. But, when I write a novel, I am not in that business.
The first person you should think of pleasing, in writing a book, is yourself. If you can amuse yourself for the length of time it takes to write a book, the publisher and the readers can and will come later.
Everything I have written up to now is trifling compared to that which I would like to write and would write with great pleasureEither I am a fool and a self-conceited person, or I am a being capable of becoming a good writer; I am displeased and bored with everything now being written, while everything in my head interests, moves, and excites me-whence I draw the conclusion that no one is doing what is needed, and I alone know the secret of how it should be done. In all likelihood everyone who writes thinks that. In fact, the devil himself will be brought to his knees by these questions.
I had written a book. For various reasons, the publishing industry had decided that my book was going to be 'important.' The novel had taken me 12-and-a-half years to write, and after being with the book for so long, I had no real perspective on the merits or demerits of what I had written. I hoped it was good, but feared that it wasn't.
The first drafts of my novels have all been written in longhand, and then I type them up on my old electric. I have resisted getting a computer because I distrust the whole PC thing. I don't think a great book has yet been written on computer.
I've never written a children's book, but when people meet me for the first time and I say I write books, they invariably reply, 'Children's books?' Maybe it's something about my face.
I am not sure I knew what I was doing, writing an "apocalypse" novel, when I started this book. Now that the book is done, I can own that I have in fact written an apocalypse novel, one that speculates on a dark, dark future. Why I did it, I really don't know - every time people read my work they comment on its darkness, its sadness.
I was 12 and read my first romance novel; it was a sweeping desert saga, and I got to the end of it and was like, 'I want to go back and start all over again!' That emotional response to the book and getting to the end of a story you love is what inspires me to write the next book.
I do write, but for now I am keeping it all in the desk drawer. I have always written. The only book that I have published was "Revolution," during the election campaign, a book that contains both personal and political chapters. I have never been happy with what I have written, including three novels that, from my point of view, are incomplete.
The process for writing a picture book is completely different from the process of writing a chapter book or novel. For one thing, most of my picture books rhyme. Also, when I write a picture book I'm always thinking about the role the pictures will play in the telling of the story. It can take me several months to write a picture book, but it takes me several years to write a novel.
I am aware that I am very old now; but I am also aware that I have never been so young as I am now, in spirit, since I was fourteen and entertained Jim Wolf with the wasps. I am only able to perceive that I am old by a mental process; I am altogether unable to feel old in spirit. It is a pity, too, for my lapses from gravity must surely often be a reproach to me. When I am in the company of very young people I always feel that I am one of them, and they probably privately resent it.
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