A Quote by L. Frank Baum

Some of my youthful readers are developing wonderful imaginations. This pleases me. — © L. Frank Baum
Some of my youthful readers are developing wonderful imaginations. This pleases me.
Some of my youthful readers are developing wonderful imaginations. This pleases me. When I was young I longed to write a great novel that should win me fame. Now that I am getting old my first book is written to amuse children. For aside from my evident inability to do anything "great," I have learned to regard fame as a will-o-the-wisp which, when caught, is not worth the possession; but to please a child is a sweet and lovely thing that warms one's heart and brings its own reward.
Teenagers are in some ways the best readers because their imaginations haven't been narrowed down by boring things like jobs and the realities of money and capitalism.
You may be somebody who writes best for a small press that doesn't pay very well, but you might have a fascinating and intricate style that might not appeal to as many readers but will be incredibly meaningful to the readers you have. Truly, that's as wonderful if not more wonderful.
I truly hope readers learn to believe in their imaginations and their ability to shape their own lives. That's what 'The Girl Who Smiled Beads' means to me.
I feel that historical novelists owe it to our readers to try to be as historically accurate as we can with the known facts. Obviously, we have to fill in the blanks. And then in the final analysis, we're drawing upon our own imaginations. But I think that readers need to be able to trust an author.
Authors do not supply imaginations, they expect their readers to have their own, and to use it
I loved stories as a kid, both being read to me and enjoying on my own. All these stories inspired my imagination, and that's what I have always aimed at doing for my readers: ignite their imaginations.
Doing classic plays is wonderful. It's a wonderful way of developing style.
Narratives have the same power, I think. Some readers of my novels ask me, "Why do you understand me?". That's a huge pleasure of mine because it means that readers and I can make our narratives relative.
I'm a believer in presenting something that is worth paying to see. I've always felt lucky in that the work that pleases me pleases other people as well.
First, there are some of my readers who only read Hap and Leonard, not the other stuff, and some who don't read Hap and Leonard, but a large percentage are crossover readers. And yes, I did refuse to go to Vietnam and it looked like prison was in my future, but they sent me to the psychiatrist and he gave me a 1-Y, which is unfit for military service essentially.
And at some point I would like to talk my publisher into doing an anthology of my poetry alongside some teen readers' poetry. It would be fun, and really wonderful to get their stuff out there.
And at some point I would like to talk my publisher into doing an anthology of my poetry alongside some teen readers poetry. It would be fun, and really wonderful to get their stuff out there.
Every one of the geezers who continues to play a leadership role has one quality of overriding importance: neotony. The dictionary definition is that neotony, a zoological term, involves "the retention of youthful qualities throughout old age." It is more than merely retaining a youthful appearance, although that is often part of it. Neotony is the retention of all those wonderful qualities that we associate with youth: curiosity, playfulness, eagerness, fearlessness, warmth, energy.
People will ask me, "How do you approach writing books for young readers differently than for adults?" My answer is always: I don't change anything about the story itself. I'm going to tell kids the way things really were. What I don't do - and this is the only thing I do differently in writing for kids - is that I don't revel in the gory details. I allow readers to fill in the details as necessary. But I don’t force kids to have to digest something they’re not mature enough or ready for yet. If they are, they can fill in the details even better than I could, just with their imaginations.
For some reason I can't explain, artist and musicians tend to look younger than our age. Being in music, you need this youthful sense of discovery and wonder for what you're doing and keep your imagination open. That's a youthful way of looking at life and I think that reflects in how you age.
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