A Quote by L. P. Jacks
I had been virtually a Unitarian (as I still am) but without knowing it. The experience of being among Unitarians who did know what they were, and attached much importance to it, was entirely novel to me, but I soon fell into their ways and found it easy to go forward on their road, the more so because the other roads became closed to me.
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One of my superstitions had always been when I started to go anywhere or do anything, not to turn back, or stop until the thing intended was accomplished. I have frequently started to go places where I had never been and to which I did not know the way, depending upon making inquiries on the road, and if I got past the place without knowing it, instead of turning back, I would go until a road was found turning in the right direction, take that, and come in by the other side.
Neil [Simon] was considered our greatest [living playwright] at the time [of their marriage]. Maybe he still is; I don't know. But anyway, he was hugely successful, and I just kind of got folded into that. And in some ways, he protected me, but in other ways, I wasn't fully able to step out, you know? He didn't want me to go away so much. The work that we did together was great, and I don't regret it, but what I am saying is that I didn't get an opportunity to explore some other areas that were offered to me early on. I took what I might call a U-turn.
I was attached to star in a project that was going to be an unbelievable character piece, to be showcased all over the world. It was everything I had been working toward and had suffered for. I had two months to prep and pretty much bankrupted myself in the process. A week before I was supposed to get on the plane, the whole project fell apart. Not only did it leave me completely broke and out of work, but I felt as if I had been betrayed by acting. Acting is not just something I love but a part of who I am. I was shattered. Thankfully, the love of those around me helped push me forward.
My best experience as a writer was working with Michael Ondaatje. He let me dismantle his novel, reimagine it, and still had dinner with me and gave me good notes. But the best thing about writing has been the writer's life, the sense of being expressed, the ownership of the day, the entirely specious sense of freedom we have, however slave we are to some boss or other. I wouldn't trade it for any other life.
If I hadn't had my children, I would have been discouraged a lot quicker. It would have been much more easy for me to say, "You know what, let the whole thing go. Have a good time, because these people, this place - it's just not worth it." You know? I can't do that anymore. I look into those eyes and they look at me so trustingly that I'm gonna make sure that [they're thinking], "Hey, you did a good thing bringing me into the world, daddy. I'm going to have a great life!"
I am the suburb of a non-existent town, the prolix commentary on a book never written. I am nobody, nobody. I am a character in a novel which remains to be written, and I float, aerial, scattered without ever having been, among the dreams of a creature who did not know how to finish me off.
It was really bizarre, that Sabzian business. You know I had no interest in being photographed before this incident. But then not just Sabzian—many other people started pretending they were me! One of them actually got married while pretending he was me! My face became publicly recognizable soon after I decided to have a few photographs of me available in public to prevent these sorts of identity thefts. It is really pathetic, if you think of it. Filmmakers and filmmaking is so popular in Iran because all other forms of expression have been denied to people.
When I became a Sigma Chi it was great, because they were the pople I enjoyed being with and I was very proud of the association. It was kind of an instant confidence builder for me--that what I considered the best fraternity on campus had actually wanted me. And I had always been very shy and without a lot of confidence. So it was a really good social experience and for me it was also a social maturation. It was a great benefit.
I was afraid. Of getting hurt in other ways. To be truthful, I still am." His thumb stroked her cheek. "I would never hurt you." "I don't think you can promise me that." She squeezed his bruised fingers. "But it makes things a bit more equal, to know that I can hurt you, too." His gaze fell to her lips. He said simply, without any trace of irony, "You are killing me.
I feel like [throughout] my entire career and life, that I've been judged by people who really did not know me. But I definitely think that they probably were right to assume what they had assumed about me, because there was so little to go on out there. If you only see videos of me being crazy and hearing little things here and there, then obviously you're not going to have any idea who I really am.
The more experience I get, the more I know to relax and let go of things because there's so much that is out of your control. So much needs to happen to get a film made nowadays and star power doesn't even matter anymore. So, me being what I am, I have to realise that to an extent.
I have had a few rough patches in my life, but these last few years have been among the roughest. A few years ago, I left my job as host of the television show Extra. Our parting of ways was completely amicable; they were amazing to me. I had spent over a quarter of my life at that job, and without it, I felt like I had lost my compass. People didn't know how to introduce me anymore, because in L.A., you are your job.
I loved you because there was no other place for me to go. We were married because we did not know what else to do with each other. You never knew me, nothing about me, what died inside me, what lived invisibly.
For a time Jack was angry; but when he had been without the jacket for a short while he began to realize that being half-clothed is infinitely more uncomfortable than being entirely naked. Soon he did not miss his clothing in the least, and from that he came to revel in the freedom of his unhampered state.
With acting I am being led by the script, other actors, the director, etc. But with songwriting I feel it is much more self reliant and allows me to be in the creative experience without being as dependent on others.
I did not want to be mistreated, I did not want to be deprived of a seat that I had paid for. It was just time… there was opportunity for me to take a stand to express the way I felt about being treated in that manner. I had not planned to get arrested. I had plenty to do without having to end up in jail. But when I had to face that decision, I didn't hesitate to do so because I felt that we had endured that too long. The more we gave in, the more we complied with that kind of treatment, the more oppressive it became.
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