A Quote by L. Ron Hubbard
How does life become totally painful By total retreat. Total noninspection becomes total pain.But existence is basically composed of a very few truths onto which have hung a great many artificialities and which man has adorned with enormous numbers of lies. And man is prisoner of his own shadows. Now one of the things you can do with man is to get him to look up and find out that he can look through the shadows and look at the shadows and find out what they are.
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I like to help others and count it as my greatest pleasure in life to see a person free himself of the shadows which darken his days. These shadows look so thick to him and weigh him down so that when he finds they are shadows and that he can see through them, walk through them and be again in the sun, he is enormously delighted. And I am afraid I am just as delighted as he is.
The body is imaginary, and we bow to the tyranny of a phantom. Love is a privilege perception, the most total and lucid not only of the unreality of the world but of our own unreality: not only do we traverse a realm of shadows; but ourselves are shadows.
Look round and round upon this bare bleak plain, and see even here, upon a winter's day, how beautiful the shadows are! Alas! It is the nature of their kind to be so. The loveliest things in life... are but shadows; and they come and go, and change and fade away, as rapidly as these.
The thing about shadows is that they're not all darkness. You need to have light to have shadows. So just look for it.
Without total freedom, every perception, every objective regard, is twisted. It is only the man who is totally free that can look and understand immediately. Freedom implies really, doesn't it, the total emptying of the mind. To completely empty the whole content of the mind — that is real freedom.
Life is composed of lights and shadows, and we would be untruthful, insincere, and saccharine if we tried to pretend there were no shadows.
What the art historians had forgotten is that in Chinese, Japanese, Persian, and Indian art, they never painted shadows. Why did they paint shadows in European art? Shadows are because of optics. Optics need shadows and strong light. Strong light makes the deepest shadows. It took me a few years to realize fully that the art historians didn't grasp that. There are a lot of interesting new things, ideas, pictures.
Illusions are shadows moving endlessly across the ground. The shadows are quite real but they're shadows. They have very little substance.
Man alone, during his brief existence on this earth, is free to examine, to know, to criticize, and to create. In this freedom lies his superiority over the forces that pervade his outward life. He is that unique organism in terms of matter and energy, space and time, which is urged to conscious purpose. Reason is his characteristic and indistinguishing principle. But man is only man -- and free -- when he considers himself as a total being in whom the unmediated whole of feeling and thought is not severed and who impugns any form of atomization as artificial, mischievous, and predatory.
in modern society, fear of unemployment remains the darkest of the shadows thrown by the past. In an industrial order, a man out of work is almost a man out of life.
But would you kindly ponder this question: What would your good do if evil didn't exist, and what would the earth look like if all the shadows disappeared? After all, shadows are cast by things and people. Here is the shadow of my sword. But shadows also come from trees and living beings. Do you want to strip the earth of all trees and living things just because of your fantasy of enjoying naked light? You're stupid.
Christianity is not just involved with "salvation", but with the total man in the total world. The Christian message begins with the existence of God forever, and then with creation. It does not begin with salvation. We must be thankful for salvation, but the Christian message is more than that. Man has a value because he is made in the image of God.
What does reflect reality very well is complexity theory, which comes from physics. I'm the one pioneering the idea of bringing it to capital markets. When you look at capital markets through the lens of complexity theory, you ask "what's the scale of the system?" Scale is a fancy word for size. What measures are you using? If you look at total debt, the concentration of assets in the five largest banks, what percentage of the total assets of the five largest banks are interconnected? What you see is a very densely connected, fragile system that could collapse at any moment.
A man advanced in years that thinks fit to look back on his former life, and calls that only life which was passed with satisfaction and enjoyment, excluding all parts which were not pleasant to him, will find himself very young, if not in infancy.
John [Cassavetes] had shot a great deal of Shadows and I had to go fulfill my contract in California, so he and all the rest of the Shadows cast came out to California and they finished it off and he cut it. He turned the garage into an editing room and he was by then a director of Shadows. That's the only thing he'd directed. But, he loved it.
Every true artist does feel, consciously or unconsciously, that he is touching transcendental truths; that his images are shadows of things seen through the veil. In other words, the natural mystic does know that there is something there, something behind the clouds or within the trees; but he believes that the pursuit of beauty is the way to find it; that imagination is a sort of incantation that can call it up.
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