A Quote by L.A. Reid
The deepest and most sincere feeling I get is when I meet an artist and they have that steel in their eyes and they have that fire and that passion and all they want is to be a star and to hear themselves on the radio.
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Once we become conscious of a feeling and attempt to make a corresponding form, we are engaged in an activity which, far from being sincere, is prepared (as any artist if he is sincere will tell you) to moderate feelings to fit the form. The artist's feeling for form is stronger than a formless feeling.
I know as a consumer I want a story. I want a defining - I don't want just an album full of singles. I want to get to know the artist beyond what everyone else can hear on the radio.
It doesn't affect me because I look at the internet as the new radio. I look at the radio as gone. [...] Piracy is the new radio. That's how music gets around. [...] That's the radio. If you really want to hear it, let's make it available, let them hear it, let them hear the 95 percent of it.
There's a perception that if an artist produces another artist, they're going to imprint on them. But I'm the opposite. I want to hear that artist; I don't want to hear me - that's the last thing I want to hear. There are a lot of technical studio things I've learned or figured out, and I feel like I could use those things to help other people with what they're doing.
I feel my job as an artist is to drive people to country radio. That's my job as a country artist. So these streaming places, especially these on-demand streaming places, where you can just push a button and hear it as many times as you want, like YouTube, any of that stuff, that's taking all the ears away from country radio.
I like the Cyclostyle ink; it is so inky. I do not think there is anyone who takes quite such a fierce pleasure in things being themselves as I do. The startling wetness of water excites and intoxicates me: the fieriness of fire, the steeliness of steel, the unutterable muddiness of mud. It is just the same with people.... When we call a man "manly" or a woman "womanly" we touch the deepest philosophy.
The trouble is, most people are not so generous. Everybody wants love for themselves. I hear this all the time from the women I work with. I hear them say, "I want, I want." I never hear them saying what they want to give.
Realistically, it's the great truism that screenwriters are fungible, that at the end of the day a studio is not going to want to fire a movie star. And they're really not going to want to fire a star director because the director has the hand on the tiller of a ship.
I mean there's no other feeling than when you hear a great hip-hop song. You feel good. If you lose that as an artist, you lose a part of your passion.
I do not communicate by words alone. In fact, rarely do I do so. My most common form of communication is through feeling. Feeling is the language of the soul. If you want to know what's true for you about something, look to how you're feeling about it... Hidden in your deepest feelings is your highest truth.
The household I grew up in... was rather like an Ovaltine advert. There was a huge fire, a kettle on the fire, the oven with the bread being baked every day, and there was the radio; it was very magical to hear all these wonderful programmes.
As an artist, the most important feeling is loneliness. So when I say artists need to isolate themselves from society this is what I mean: You have to look for that feeling of loneliness again. Only this way can you have something that is purely your own.
When you're listening to radio and hear the same 20 songs over and over and over, you want a break from it. Sometimes you don't want to hear something that sounds just like everything else on the radio. Eventually, if you hear the same sounds and the same musicians and the same mixes and all of that, it will start to sound like elevator music.
Once I thought I saw you in a crowded hazy bar,
Dancing on the light from star to star.
Far across the moonbeam I know that's who you are,
I saw your brown eyes turning once to fire.
I am just a dreamer, but you are just a dream,
You could have been anyone to me.
Before that moment you touched my lips
That perfect feeling when time just slips
Away between us on our foggy trip.
Times of calamity and distress have always been producers of the greatest men. The hardest steel is produced from the hottest fire; the brightest star shreds the darkest night.
There was an era when people would turn on their radio and hear a radio drama. Now, you could be as scared by that as seeing it filmed. In those days, people used to sit by the fire and imagine what they were hearing. Everything is its own art form.
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