A Quote by Labrinth
You get so close to your own music that you can't see the beauty in it. I had to learn to let go. It's good to be less precious.
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The further on we go, the more meaning there is, but the less articulable. You live your life and the older you get- the more specifically you harvest- the more precious becomes every ounce and spasm. Your life and times don’t drain of meaning because they become more contradictory, ornamented by paradox, inexplicable. The less explicable, the more meaning. The less like a mathematics equation (a sum game); the more like music (significant secret).
You go out into the world, you read everything you can read, you imitate the things you love, and you learn how hard it is to do. Eventually, you learn your own vision of the world, you learn your own voice and how to hear it, and you learn to write your own work. Writers today have as many opportunities as my generation did, but they don't see the examples as clearly as we did.
...that was the first thing I had to learn about her, and maybe the hardest I've ever learned about anything - that she is her own, and what she gives me is of her choosing, and the more precious because of it. Sometimes a butterfly will come to sit in your open palm, but if you close your hand, one way or the other, it - and its choice to be there - are gone.
Beauty is precious, you see, and the more beautiful something is, the more precious it is; and the more precious it is the more it hurts us that it will fade away; and the more we are hurt by beauty, the more we love the world.
I think it is really helpful to see the beauty in every situation. I guess it's being able to see it in unexpected places. If you're fed too much of an image of what beauty is then you might define it as a certain specific thing, but when you have your own idea of what it is, or your own feelings of what beauty is, then it becomes so wide and so indefinable.
I think that within the world of music that we work in, which is so not perfect, I think that you really do have to learn to accept your own mistakes as part of the beauty of music itself.
When I first started, there really was no beauty guru community. I didn't have the right production resources. I had to learn how to edit. I didn't even have beauty products. I had to go out and buy them myself because beauty brands didn't even know what a beauty guru was.
You lose your sense of wonder the more you learn, right? When you go to film school and learn about moviemaking, you go to see movies and then only see where the lights are, where the cuts are, watching it from a technical basis, nodding your head, "Oh, that was good." The feeling of surprise, the feeling of being transported is further away.
You have everything in you that Buddha has, that Christ has. You've got it all. But only when you start to acknowledge it is it going to get interesting. Your problem is you're afraid to acknowledge your own beauty. You're too busy holding on to your own unworthiness. You'd rather be a schnook sitting before some great man. That fits in more with who you think you are. Well, enough already. I sit before you and I look and I see your beauty, even if you don't.
To keep your he-man jaw muscles from smashing your precious teeth, the only set you have, the body evolved an automated braking system faster and more sophisticated than anything on a Lexus. The jaw knows its own strength. The faster and more recklessly you close your mouth, the less force the muscles are willing to apply.
What I try to impart to a musician is to really try to practice the instrument in a really sincere way. Learn as much about music as you possibly can. Learn composition. Study to try to create compositions of your own and put your own personal touch on your music.
The thing with music education is that it is good at teaching technique, but not texture. You only learn about that from listening to music and experimenting on your own.
I feel sorry for people of good heart who have never had a chance to learn the realities of Native American everything - not just our history but the sweetness and the beauty and the reasons why were so close to Mother Earth.
You can go out and find ways to make your own record and get it out there now. If you really want to, you can be heard. Keep things simple. Learn to go out and play solo. That's a really really good thing to learn, if you're a singer-songwriter. Don't be dependent on a band because you may not always be able to afford one.
In a contagious world,we learn to keep our distance. If we get too close to those who are suffering, we might get infected by their pain. It may not be convenient or comfortable. But only when you get close enough to catch their hurt will they be close enough to catch your love.
The positive thing about collaborating is that I cannot get distracted by coding work, because I cannot waste the other collaborator's time in the same way as I can my own. And it's always good to learn how the other person works, learn about techniques, learn social things like: how do you communicate with another person? The music I make with other people I'm much more confident about, I'm a little bit less judgemental of the outcome than with my own stuff because I know it's not only me, it's a more outside of me. Sometimes I even like them better than my own tracks.
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