A Quote by Labrinth

The first tour an artist does is a strange one... because you can never tell how the audience is going to react. — © Labrinth
The first tour an artist does is a strange one... because you can never tell how the audience is going to react.
Nobody ever dared with Frank, because he had such mood swings, and you never knew how he was going to react. But I could tell the minute I saw him that he was going to be in my corner.
You just never know how an audience is going to react.
You can have a good vibe and a good feeling about something, but you never really know how it's going to be received and how an audience is going to react to it.
Every single night I'm nervous. You never know how the audience is going to react.
How forthright does the audience want the broadcasters to be? Because when you tell your truth, there's a lot of anger that comes out. I think it's a good question to ask TV people [executives] too. How much truth do they want to be told? How much truth does the league want told? Because the truth isn't just a positive truth. If you're going to tell the truth, you would be telling a lot of positive and some negative.
When you're writing for the screen, you have to be hyper-conscious every moment of how the audience is going to react. If you write just one scene where the audience is confused or it breaks their concentration in some way, then you've lost them, and you might never get them back.
Usage is like oxygen for ideas. You can never fully anticipate how an audience is going to react to something you've created until it's out there.
It's hard to be taken seriously if you're a young, female artist making pop music; you never know how people are going to react.
With a first season, you never really know how viewers or the network are going to react to a show.
First, Know well that Intellectuality is not intelligence. To be intellectual is to be phony; it is a pretending intelligence. It is not real because it is not yours; it is borrowed. Intelligence is the growth of inner consciousness. It has nothing to do with knowledge, it has something to do with meditativeness. An intelligent person does not function out of his past experience; he functions in the present. He does not react, he responds. Hence he is always unpredictable; one can never be certain what he is going to do.
I was so nervous about 'Kingsman,' I can't tell you, because when you do things different and fresh and fun and crazy, you don't know how people are going to react.
I've had shows where you think, "Is this going well? I can't tell," and then you say goodnight and you get this ovation. They're sorta like a theater audience. I've learned that much; that they're not always going to be doing backflips - but I'll never figure it out. Because sometimes you walk up there, and they're so excited, and then other times, it's just... But sometimes an audience is bad, and you can tell them they're bad, and that sort of breaks the ice a bit.
That a viewer does not see what the artist intended does not make the composition a failure... In reality all artists speak first to themselves and then to an audience.
I think you can really tell a good actor if you can put a camera on them and they can just talk and emote and react and you don't have to keep cutting away from them, because they are the language and the behavior. It's all a tour-de-force performance.
In not-for-profit theater, you don't worry so much about how the audience is going to react. You want to make them absorb the piece.
You're in a movie, so you have to think about how something plays. It's not like you're thinking about how an audience is going to react. You're trying to present the story. You're trying to illuminate the lives of these people in the story. So I'm thinking about how my behavior as this character best illuminates what's going on with them in this moment in time. I always say it's sort of the director's job. People think that the directors direct actors. No. Really, what the director's doing is directing the audience's eye through the film.
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