A Quote by Labrinth

I actually tried to learn the dictionary at one point. It didn't work; I only got through the first few pages. — © Labrinth
I actually tried to learn the dictionary at one point. It didn't work; I only got through the first few pages.
The one difference between comics and, say, cinema or prose, is that you've only got so many pages, and publishers will work to a set page count. So you have to work out how many pages you actually have and how much to allow for each story.
My parents went through the dictionary looking for a beautiful name, nearly called me Banyan, flicked on a few pages and came to China, which is cockney rhyming slang for mate.
I am very sorry, but I cannot learn languages. I have tried hard, only to find that men of ordinary capacity can learn Sanskrit in less time that it takes me to buy a German Dictionary
During my last year of college I wrote the same ten pages over and over again. Those ten pages became the first few pages of my first novel. I can still recite the opening paragraph from memory - only now I cringe when I do it because they are - surprise! - a classic example of overwriting, in addition to being a more than a little pretentious.
Once, I optioned a novel and tried to do a screenplay on it, which was great fun, but I was too respectful. I was only 100 pages into the novel and I had about 90 pages of movie script going. I realized I had a lot to learn.
Bad things can happen, and often do--but they only take up a few pages of your story; and anyone can survive a few pages.
I was really lucky that, through my 20s, I got to work with some amazing people, and I tried to sit back and watch and learn.
My first company, Pure Software, was exciting and innovative in the first few years and bureaucratic and painful in the last few before it got acquired. The problem was we tried to systemize everything and set up perfect procedures.
Actually if a writer needs a dictionary he should not write. He should have read the dictionary at least three times from beginning to end and then have loaned it to someone who needs it. There are only certain words which are valid and similes (bring me my dictionary) are like defective ammunition (the lowest thing I can think of at this time).
I might be at a point where I don't want to go with a genre convention but I have to produce some pages. It's hard work. And it requires you learn certain skills.
When you actually get on the field, you've got to work. You've got to train. You've got to learn. You've got to put 100 per cent into it.
The first guitar I ever had was a gut-string Spanish guitar, and I couldn't really get the hang of it. I was only 13, and I talked my grandparents into buying it for me. I tried and tried and tried, but got nowhere with it.
I once tried to read the dictionary. It didn't work.
I remember I had a low point when I was working on a soap opera, 'General Hospital,' five years ago. It was my first real job, and it was so overwhelming. You would work five days a week and have to learn sometimes up to 30 pages of new dialogue a night, then have one take to shoot it all, the next day.
At first, all is black and white. Black on white. That's where I'm walking, through pages. These pages. Sometimes it gets so that I have one foot in the pages and the words, and the other in what they speak of.
The writer I adore is Ivy Compton-Burnett.I couldn't get more than a few pages in when I first read her. In many ways, she is very clumsy and her plots are rubbish. But we don't read her for that. There are pages and pages of dialogue. What it requires is real effort and attention.
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