A Quote by Labrinth

English urban artists were very used to making secondhand American music, and I thought that was boring. — © Labrinth
English urban artists were very used to making secondhand American music, and I thought that was boring.
Banjos are used in Celtic, English folk music and obviously American music. But not that much in pop music. But it's more versatile than people realise it to be. It's a beautiful instrument, very rhythmic and melodic. You can do anything with it.
Now, [hip-hop/grime artists] Stormzy, Skepta, or the Section Boyz have to be validated by Drake, Rihanna or Beyoncé. They're rolled into this one urban culture bubble; it's not really to do with, "I'm specifically f - ked off about my country and what's going on in my town." We're very much only showing success to artists who impress American artists, and I'm one of them.
In the early eighties, there were a lot of artists involved with the music scene. All those young artists, before their careers took off, were into music. Robert Longo used to play some guitar. He had a band for a while. Basquiat had a band. I mean, people were always trying to mix music and art - in fact, I'm guilty of it myself.
I felt like, I need to do English music; I speak better English than I do Korean. I think the fans enjoy it as well, so let's start making music in English.
I think everybody don't know what color I am. It's like, "He's not black enough. He's not white enough. He's got a Latin last name but he doesn't have - he doesn't speak Spanish. Who are we selling this to? Are you making urban music? Are you making pop music? What kind of music are you making?"
When the Killers first came out, a lot of people thought we were English, and it touched a chord in me, because my roots are very American.
White artists have made millions of dollars off music they stole from black artists. I don't blame all the white artists. I'm a huge Stevie Ray Vaughn fan, and he was always very gracious about where he learned his music. But a lot of the time, you'd think the white guys thought it up. Hey, hasn't anyone heard of Muddy Waters?
I always used to wonder why American actors were getting fat, then I made a U.S. movie. I'm seeing all the food every day, and there's lots of waiting around because making an American movie is very slow.
I think in the past, around the time that method acting became so prevalent, it used to be that American actors were thought to be the kind that would work more from the inside out, and that the English actors worked more from the outside in.
I don't feel that electronic music has to stand on the back of urban artists or anyone else to be recognized. It's great music.
In the 1970s, for all the Stevie Wonders, I'm sure there were five artists that were making forgettable music.
Some people who make music are instantly very savvy about how they can get their music to communicate in a larger way. For me, the music was always first, and I put a lot of time and effort and thought into making the recordings. But everything else around it, all the things that were necessary to have a career in pop music, I was completely ill equipped to handle.
Actually, until a few years ago, my English was very poor. I wasn't thinking of my American roots at all, until I went to play in an American youth team. From that moment, my English improved, and I started to feel more American.
My personal style reflects my music. My music and how I dress is just how I express myself; it's just me. My music is urban pop, and my style of dressing is urban but still girly. I like that combination. The contrast is very nice.
Kids are taking music for free all the time. They have Spotify, Pandora... The record companies aren't making the kind of music that they used to make. Artists make their money on tours, not from album sales.
There's no question that there's been a breach in the trust between urban - especially urban community, African-American and minority communities and the police in major American cities.
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