A Quote by LaChanze

I am working on music and telling my personal story and sharing my talent on stage. — © LaChanze
I am working on music and telling my personal story and sharing my talent on stage.
There's definitely a delicate line you have to walk in telling someone else's story that's not quite as delicate in telling your own story. I think when I'm working on a personal story, there's less pressure to try to get it exactly right.
Yes, sharing super-personal experiences is scary, but I can only get up on stage and perform it if I really connect with the music.
Whether I'm working with a Top 40 artist or crafting my own music, it goes back to one thing: telling a powerful story and having that story resonate with people.
When I'm on stage, I know exactly where I am. It's not an ego thing or anything like that, but I am more in my body and aware of myself and aware of what I'm doing, and I feel more from that, from sharing the music.
When I make film music, I'm a filmmaker first and foremost. It's about serving the needs of the film. You're telling a story; in a way, you stop becoming a composer and become a storyteller instead. You tell the story with the most appropriate themes. How you approach these things is a very personal matter, but your goal is to tell the story first.
The idea that a story has to be 'exceptional' in order to be worth telling is curious to me. What if we looked at every single person's story as a site of possibly infinite meaning? What if we came to believe that there isn't hubris or narcissism in thinking your story might be worth sharing - only a sense of curiosity and offering?
I think this is pretty clear, but maybe not to everybody: Despite the fact that the work is personal or taken from life, it's not about me telling my personal story.
My platform for activism is my music, and the issue I am working to address is child marriage. Everyone can find an issue that they care about and their own authentic way of expressing and sharing their message and working for change. When you speak authentically about something that matters to you, your voice has even more power.
When people get up on the stage and say, "I've got AIDS," or "I'm in recovery," gosh, it's hard for them. It's like that story touches every person's story. You know, they open their entire humanity up. Storytelling is very important in life. Telling the truth is critical. It's like, again, the melody. The melody of jazz music is the truth, for me.
I wouldn't do a project if it weren't a story I wanted to tell. That's rewarding in itself, as a writer, if you're working on a story that you enjoy telling.
When you hide another story in a story, that’s the story I am telling the children.
I am always telling students that a story is not just words. You can tell a story with dance or paint or music. Kids and adults are visual learners, auditory learners. There are those of us who need to touch it. Storytelling encompasses so much more than words on paper.
What I've learned over the years is that the craft of songwriting is trying to take the personal and make it universal - or in the case of telling a story, taking the universal and making it personal.
I think that people have to have a story. When you tell a story, most people are not good storytellers because they think it's about them. You have to make your story, whatever story it is you're telling, their story. So you have to get good at telling a story so they can identify themselves in your story.
I view music as entertainment. When I'm on stage, I don't look at that as a platform for sharing ideology. Otherwise I'd be a zealot myself. That's why, when people ask me, 'Do you think you can change the world through your music?' I say, 'I doubt it.'
I think my music is so personal that it lets people in. And they identify with me more because of that, you know, so it's like my story; it's who I am as a person.
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