A Quote by LaChanze
I really studied her singing, trying to see what it was about her that made her such a natural, incredible singer. Because sometimes as a singer, you really have to work to reach a certain note. And for Donna Summer, it seemed effortless.
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I get ticked off a lot because I don't think she [Faith Hill] gets the respect she deserves. I tell her all the time, "If you were 300 pounds and dog ugly, people would think you were the greatest singer in the world." They have the tendency to look at her and never really listen to her. The reason it works is she's a fantastic artist. It's almost embarrassing for me to sing with her sometimes.
As singers, we're always taught to sing forward and place everything in the front of our resonating chambers. Donna Summer always sang in that space and had it naturally. Her muscle memory, the way she was built - she was a natural singer.
My daughter gets a lot of her natural music ability from her mother because she's a world-class singer, also.
If a woman's aim is to become a singer, I would highly advise her to first develop her craft in songwriting. It's such a powerful tool to have when you're a singer.
Patty knew, in her heart, that he was wrong in his impression of her. And the mistake she went to go on to make, the really big life mistake, was to go along with Walter's version of her in spite of knowing that it wasn't right. He seemed so certain of her goodness that eventually he wore her down.
Christina Aguilera has her own style, so good on her. I don't think anyone's every told her to put on some leather chaps and get her noonie out. She's an amazing singer but a lot of her music I can't even hear.
I never thought I'd be doing poetry books. I never really studied poetry. But the first one I did was after my mother died, and I realized that people sort of think and talk about her style and fashion, but in fact, what made her the person she was was really her love of reading and ideas.
The search for truth can be compared to a cat chasing her tail: frantic in her pursuit, her quarry nevetheless eludes her; despite the fact that all the world can see it's right there, it remains just beyond her reach. It cannot be possessed because, paradoxically, it is already part of her.
I really pulled from that repertoire that Billie Holiday was singing, and the way she sang it. It's sort of this beautiful, not really midpoint, but a period of her career where she really still had her voice. She had that deep wisdom that we've come to associate her with. To me, that's her at the height of her powers.
Her work, I really think her work is finding what her real work is and doing it, her work, her own work, her being human, her being in the world.
I'm attracted to artists like Frida Kahlo, because her work was her life, her questions, her outrage, her suffering, her pain. Everything is in her work.
I think Eleanor Roosevelt always had a most incredible comfort writing letters. I mean, she was in the habit of writing letters. And that's where she allowed her fantasies to flourish. That's where she allowed her emotions to really evolve. And that's where she allowed herself to express herself really fully, and sometimes whimsically, very often romantically. And it really starts with her letters to her father, who is lifelong her primary love.
She really started to cry, and the next thing I knew, I was kissing her all over - anywhere - her eyes, her nose, her forehead, her eyebrows, and all, her ears - her whole face except her mouth and all.
For 'For Real,' where I play a singer who has to give up her passion for her husband and family, I practised singing for hours, in bathroom, in subways, though I am tone deaf.
One of my sisters wanted to be an opera singer. So, we spent a few dollars to try to train her, because Italian people would like to have an opera singer in the family. But she's got trouble coughing, let alone singing. One day, she was in the shower singing 'Madame Butterfly,' three days later the Japs attacked Pearl Harbor.
They'd had fun, for sure. They laughed and enjoyed being together. But if she was painfully honest with herself, something was missing. Something in the way Tim looked at her. She remembered her mom's word. "I saw the way he looked at you...he adores you." Maybe that was it. Tim looked at her on a surface level. He smiled and seemed happy to see her. But When Cody looked at her, there were no layers left, nothing her didn't reveal, nothing he couldn't see. He didn't really look at her so much as he looked into her. To the deepest, most real places in her heart and soul.
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