A Quote by LaChanze
You know when you see a play and there is a character whom you know so well that you hate them and love them at the same time? That is Michael Potts' portrayal of Turnbo in August Wilson's 'Jitney.'
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I know that everybody is seeking bliss. And they're all looking for it mostly in the wrong ways, and as a result of that, they err, but there's no reason to hate them; they just don't know any better. Jesus himself on the cross said, "Forgive them, for they know not what they do." And so people who hate you, that's their problem. It doesn't have to be your problem. I wish them well.
The opposite of love is apathy, and hate is really the same as love-if your so consumed with hatred for someone, you might as well be loving them because your thinking about them for the same amount of time.
They [Marvel] don't tell you. You never know with them. They have their world, but they don't like to spoil anything, so nobody knows until it's set in stone. You don't know. I actually don't know what they have in store for Wilson Fisk, or my Wilson Fisk, I should say.
In the case of 'Blood Stone,' the producers, EON, Michael Wilson, Barbara Broccoli, David Wilson and Gregg Wilson, had an idea for a story and had a lot of it done. And I came in, worked with them, fleshed it out.
I know fans may not like it, but at the same time, I love to see a guy say, 'you know what, I don't want to be here, and I'm going to force them to trade me.'
When I find the character, I try to spend time with them and get to know them very well. Therefore my notes are not from the character that I had in my mind before, but are instead based on the people I've met in real life.
I really connect with every character that I've played, just because I kinda have to; as an actor, you want to take them in and get to know them and like them; because they're evil, you kinda have to like them so that you can understand them and play them and play them with some kind of empathy.
It is true that social media, nowadays, is important, but I don't understand everyone needing to know everything about an artist or an actor because it loses the intrigue and mystery. And then, when you're watching them as a character, you can't watching them as a character. You can only watch them as the public figure that they have presented themselves to be. I hate when people say, "Well, that's what you signed up for. That's how it is." No its not. That's not what you signed up for.
I think sometimes it's hard to know what you feel, or to know what's real and what's not, because love or hate or any feeling is a belief. You can say you hate someone, but you don't truly know them.
Britney Spears and Christina Aguilera are doing pretty well at getting noticed - a lot of people are doing pretty well at it. But you wonder whether they'll last, because many of them don't have the ability to get an audience to love them. You say, "That's a fabulous body" or "I like that song"; you don't say, "I love them because I know them." You can't know them.
You get to know a character that you play on-stage in a pretty profound way over a length of time. I don't want to sound highfalutin and say you become the character, you just start bringing more and more of yourself to the part until the character and actor, it's hard to tell them apart. It's some weird amalgam. In film, because of the period of time, I don't know that you ever get that deep into it.
There’s only one thing we can be sure of, and that is the love that we have -- for our children, for our families, for each other. The warmth of a small child’s embrace -- that is true. The memories we have of them, the joy that they bring, the wonder we see through their eyes, that fierce and boundless love we feel for them, a love that takes us out of ourselves, and binds us to something larger -- we know that’s what matters. We know we’re always doing right when we’re taking care of them, when we’re teaching them well, when we’re showing acts of kindness. We don’t go wrong when we do that.
You love your work. God help you, you love it! And thats the curse. That's the brand on your forehead for all of them to see. You love it and they know it, and they know they have you. Do you ever look at the people in the street? Aren't you afraid of them? I am. They move past you and they wear hats and they carry bundles. But that's not the substance of them. The substance of them is hatred for any man who loves his work. That's the only kind they fear. I don't know why
I was first introduced to August Wilson in the 80s when Charles Dutton did Ma Rainey and James Earl Jones and Courtney Vance did Fences. I've long considered August Wilson to be one of the five greatest playwrights in American history.
Scouting is important. You just want to know whom you are playing against and how to play them well within the team's defense.
The trouble is that rich people, well-to-do people, very often don't really know who the poor are; and that is why we can forgive them, for knowledge can only lead to love, and love to service. And so, if they are not touched by them, it's because they do not know them
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