A Quote by Lachlan Watson

I would love to work with designers in a modeling capacity. — © Lachlan Watson
I would love to work with designers in a modeling capacity.
I would love to work with Gena Rowlands. I just don't know in what capacity. I'd play her daughter or granddaughter, or whatever. I would just love to work with her, in whatever capacity.
Many tools are indispensable for my work, from a utility knife to parametric-modeling software, like Digital Project. But it's important not to confuse the tool for the content, as some designers under 30 do.
I would love to work with Anthony Hopkins; I would love to work with Meryl Streep; I would love to work with DeNiro; I would love to work with Johnny Depp; I'd love to work with Brad Pitt, Matt Damon, Gwyneth Paltrow... I think she's amazing.
That's a very privileged attitude and I think the ignorance is so strong there. When people say, "Oh please, I don't want to hear that conversation," it's because it makes them uncomfortable." But that's because they think it's all okay. If it was racist, I would move onto someone whose mind I could change, but it's mostly ignorance. So when someone says, "Oh, it doesn't matter," I not only make designers responsible but casting directors and modeling agencies for not pushing those other girls on to the designers.
I would like to work with Pat [ Leonard] in any capacity. I would love to hear his versions.
Doing modeling was a fun thing for me. At a young age, being able to earn was exciting. I got to work with some very talented designers and models. But there was always a yearning in me to do something more.
Modeling is also the first job I've ever had where it's my job to love myself. While many people think that modeling would chip away at your self-esteem, it's actually bolstered mine tenfold.
When I was a little girl, I lived for modeling and fashion - I used to love, love, love modeling.
Tax rates aren't everything with regard to incentives to work. I would probably work at a 100% tax rate next to a nude modeling studio. I'm joking, but you know what I'm saying. There's a lot more to it than just tax rates. It's economics that I do; I don't do nude modeling studio economics. People do respond to taxes.
I would love to go do movies; I would love to kind of delve into other things. I did do acting and modeling before, when I was a kid, so it would be nice to use those things.
I can't do modeling disconnected. And I thought, "What do I like? What do I love about modeling?" And what I love is that it's such a creative process, with a bunch of people, and I wanted that more, which is how the acting thing came about.
I would love to do more modeling. I would love to do anything really, mainstream, and help to create, I guess, a feeling of acceptance for people who are different and not look at them like they're freaks or whatever.
Up until the 1960s, women would meet designers in their private ateliers, and together they would build a relationship and a wardrobe. Then, all of a sudden, designers disappeared into their own private bubble, and there was no communication.
I make films but I am trained as a designer. I come from this series of designers called critical designers, speculative designers.
In their work, designers often become expert with the device they are designing. Users are often expert at the task they are trying to perform with the device. [...] Professional designers are usually aware of the pitfalls. But most design is not done by professional designers, it is done by engineers, programmers, and managers.
I started modeling quite young. I would really recommend to every girl not to start modeling until they turn 17, to be honest. Before that, I think you're not mature enough.
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