A Quote by Lactantius

The poets, therefore, however much they adorned the gods in their poems, and amplified their exploits with the highest praises, yet very frequently confess that all things are held together and governed by one spirit or mind.
No weakness of the human mind has more frequently incurred animadversion, than the negligence with which men overlook their own faults, however flagrant, and the easiness with which they pardon them, however frequently repeated.
A certain degree of solitude seems necessary to the full growth and spread of the highest mind; and therefore must a very extensive intercourse with men stifle many a holy germ, and scare away the gods, who shun the restless tumult of noisy companies and the discussion of petty interests.
It's hard to say what makes the mind piece things together in a sudden lightning flash. I've come to hold the human spirit in the highest regard. Like the body, it struggles to repair itself. As cells fight off infection and conquer illness, the spirit, too, has remarkable resilience. It knows when it is harmed, and it knows she the harm is too much to bear. If it deems the injury too great, the spirit cocoons the wound, in the same fashion that the body forms a cyst around infection, until the time comes that it can deal with it.
Southern poets are still writing narrative poems, poems in forms, dramatic poems.
If you look at the Directory of American Poets and Writers, you know there are hundreds of poets in New York City. So therefore, just by specific gravity, it seems like a more significant place. Robert Wrigley is a poet who lives in rural Idaho - I think it's really back-country Idaho - and he writes beautiful poems.
As a guiding principle I believe that every poem must be its own sole freshly created universe, and therefore have no belief n 'tradition' or a common myth-kitty or casual allusions in poems to other poems or poets, which last I find unpleasantly like the talk of literary understrappers letting you see they know the right people.
Get your mind unbound and free; and then from the loosest, highest, best place you have, with the fastest and most humorous mind you can get together, you can reach out and make a try at understanding Spirit.
I like poems that are daggers that sing. I like poems that for all the power of the sentiments expressed, and all the power to upset and offend, are so well made that they’re achieved things. However much they upset you, they also affect you.
I treat myself as one of the sources. And, again, I think that’s accurate. One of the poets I read most frequently is myself. I really do. I read my own poems obsessively.
The lovely daisy, so justly celebrated by European poets, is not a native of our soil; we know it well, however, by cultivation in our gardens and green houses; besides, we are disposed to remember it for the sake of those who have sung its praises in immortal verse.
Be who you are nothing more nothing less, and let the beauty that you love be the very best. Sing praises to the highest with your feet on the ground, and reach for your brother with the words that you sound, and don't let mistakes be so monumental, and don't let your love be so confidential, and don't let your mind be so darn judgmental, and please let your heart be more influential. Be thankful for all the Spirit provides, And be thankful for all that you can see without eyes, Give thanks to music that keeps us alive, And give thanks to all DJs worldwide.
However unwillingly a person who has a strong opinion may admit the possibility that his opinion may be false, he ought to be moved by the consideration that, however true it may be, if it is not fully, frequently, and fearlessly discussed, it will be held as a dead dogma, not a living truth.
I do not remember where I read that there are two kinds of poets: the good poets, who at a certain point destroy their bad poems and go off to run guns in Africa, and the bad poets, who publish theirs and keep writing more until they die.
I do feel that now and I feel that this development of recording poems, of speaking poems at readings, of having records of poets, I think this is a wonderful thing. I'm very excited by it. In a sense, there's a return, isn't there, to the old role of the poet, which was to speak to a group of people, to come across.
After all, poets shouldn't be their own interpreters and shouldn't carefully dissect their poems into everyday prose; that would mean the end of being poets. Poets send their creations into the world, it is up to the reader, the aesthetician, and the critic to determine what they wanted to say with their creations.
Anybody can put things together that belong together. to put things together that don't go together, and make it work, that takes genius like Mozart's. Yet he is presented in the play Amadeus as a kind of silly boy whom the gods loved.
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