A Quote by Lady Colin Campbell
If you're writing an impartial proper biography, you speak to everyone around them who really know them, you do not need, unless you're a minister of propaganda, to have input from the person.
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If you know anything about writing biographies, or what is regarded as a good biography, you have minimum input from the person you are writing about.
I believe that a perfect house is like a perfect person; no one really wants to be around them and everyone secretly hates them. Be the weird person. Be the interesting person, the person that sometimes says inappropriate things or laughs too loud at jokes, and have your home reflect who you are.
I discovered in writing the biography of Bill Clinton that it is actually easier to write a biography of someone who is dead. Although you can't interview them, you have a fuller perspective on their whole life after they're gone and people are more willing to talk about them.
When we were writing the 'Stage' album, we realized we'd never really done proper covers, where we were taking songs and making them our own and kind of playing around with them. I came up with the idea of doing a cover of 'Wish You Were Here,' but we didn't really want it on the record.
Because of social media, we have a lot of personal essays floating around; you see them on Facebook: everyone's either reading them or writing them. Some of them are great; some of them are diary entries put forth as essays.
You need a lot of energy to get a novel finished. You need an ability to ignore everyone around you. It's why I don't read my reviews any more. I know a lot of people say that, but I really don't read them.
Find a great role model, perhaps someone who struggled and only really succeeded when older. Their biography and what they've done differently from you will help you. If such a person is willing to mentor you or at least allow you to work around them, great.
I had a checklist in my mind of the things that make a biography practical. Is the source material centralized? Is it easy to find? Are there new primary sources that no one has ever had access to? Are all the sources in English? If they're not, are they in a language that you speak? And I realized that not only is Armstrong the most important figure of Jazz in the 20th Century, but he's a perfect subject for a biography for all of these reasons. I had always loved his music and I had been fascinated in him as a personality. And that's really the key to writing a biography.
The problem with being a writer/director: unless you're really disciplined, you start adding projects, and you have to make time to make them. Because you have to write them... no one else is writing them for me.
I learned early on that one of the secrets of campus leadership was the simplest thing of all: speak to people coming down the sidewalk before they speak to you. I would always look ahead and speak to the person coming toward me. If I knew them I would call them by name, but even if I didn't I would still speak to them.
If you're doing a biography, you try to stay as accurate as possible to reality. But you really don't know what was going on in the person's mind. You just know what was going on in the minds of people around him.
I think one of the reasons that I love the fans that have stuck around, because I really enjoy writing different kinds of songs. I don't know if I write them well or not, but I can write them.
In most places and times in human history, babies have had not just one person but lots of people around who were really paying attention to them around, dedicated to them, cared to them, were related to them. I think the big shift in our culture is the isolation in which many children are growing up.
I'd probably be a super wealthy guy if I had sat around writing songs and getting them placed like everyone else I know. But I write songs about people or after I meet them and they're somewhat biographical - they're fiction but also non-fiction.
I'm just really supportive of everyone - even though I believe that things should be equal, people have different circumstances in their life that have taught them to be who they are. Even if I don't agree with them, I don't judge them. I'm a really non-judgmental person.
That is my way of doing things, and I wouldn't necessarily recommend this to anybody else; if you need to do technical exercises, you do them. The whole point of practicing is to get to know yourself, to know your weaknesses and to zero in on them and target them. It's not really about employing anybody else's formulas, because you really have to find what is best for you and what you need.
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