A Quote by Lady Colin Campbell
We know that the British public are obsessed with class.
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I know Im British. I havent spent much time in the U.K., but my parents are British, my family heritage is British, so if I wasnt British, what would I be? I am British.
I know I'm British. I haven't spent much time in the U.K., but my parents are British, my family heritage is British, so if I wasn't British, what would I be? I am British.
At the next election he'll offer the British public an alternative that provides weight and substance and seriousness in a political debate that is, frankly, increasingly obsessed with modishness and flim-flam.
I used to be obsessed with race. I'm more obsessed with class now.
Class has always been a staple of British comedy. We've always been able to laugh at it. When British shows are translated to America, the absence of the equivalent class structure there often causes them to fail. But over here we've always got comic mileage out of it.
I'd like to see a much more open Monarchy, myself. I used to think they were completely useless and we should get rid of them. I don't necessarily feel that way anymore. I'm still ambivalent, I still loathe the British class system, and the Royal family are the apex of the British class system.
What the British seem to like are television historians and naturalists, not public intellectuals. You can't help feeling that's because one supplies narrative and the other supplies facts, and the British are traditionally empiricists so they/we have a resistance to theory and to theoreticians playing too prominent a role in public life.
I'm the British home secretary. My job is to protect the British public.
If you sit down with British officers or British senior NCOs, they understand the sweep of history. They know the history of British forces not just in Afghanistan but the history of British successful counter-insurgencies - Northern Ireland, Malaysia.
We know no spectacle so ridiculous as the British public in one of its periodical fits of morality.
British audiences are toughest on British films. So often, a British film is the last thing they want to see. If you please them, you really know you've made an impact.
Science fiction has always been a means for political comment. H.G. Wells' 'The War of the Worlds' wasn't about a Martian invasion - it was a critique of British colonialism, and... 'The Time Machine' is really an indictment of the British class system.
It turns out that understanding the British public is not rocket science. The British appreciate honesty and they also have a bonkers, off-the-wall sense of humour like me.
I think now you see a lot more British films from the perspective of, I guess what would be considered "new" British people - people of color, Asian people. I think that's what's happening now, whereas 20 years ago it couldn't happen because it was still predominantly, "British film is about middle-class white families and what they do."
As a kid, I was obsessed with space. Well, I was obsessed with nuclear science too, to a point, but before that, I was obsessed with space, and I was really excited about, you know, being an astronaut and designing rockets, which was something that was always exciting to me.
No man can honestly sit there and say he doesn't care about what people think, doesn't care if he's got the support of the British public or British fans.
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