I live between fantasy and reality at all times. In that way, I’m a librarian.
Good live theater disturbs molecules. You create an energy source around yourself and it alternates between you and the audience. Anybody who sees live theater should come out a little rearranged.
Why are we born? We're born eventually to die, of course. But what happens between the time we're born and we die? We're born to live. One is a realist if one hopes.
I don't think there is any difference between fantasy and reality in the way these should be approached in a film. Of course if you live that way you are clinically insane.
I grew up in Morocco. I was born a Muslim, and, every year, I celebrated Christmas in a big white house in the country, halfway between Meknes and Fez.
It is not enough to demand insight and informative images of reality from the theater. Our theater must stimulate a desire for understanding, a delight in changing reality.
We're born eventually to die, of course. But what happens between the time we're born and we die? We're born to live. One is a realist if one hopes.
The true way is the middle one, halfway between deserving a place and pushing oneself into it.
Art will remain the most astonishing activity of mankind born out of struggle between wisdom and madness, between dream and reality in our mind.
In Sacramento, my brown was not halfway between black and white. On the leafy streets, on the east side of town, where my family lived, where Asians did not live, where Negroes did not live, my family's Mexican shades passed as various.
There are many war refugees and three times as many climate refugees. All of them are people who can no longer live where they were born. I hope we face reality in time to save ourselves. We will all be migrants soon.
If halfway love is all you want or all you care to give, why bother with love at all and only halfway live.
People aren't born good or bad. Maybe they're born with tendencies either way, but its the way you live your life that matters.
To my mind, 'Dear Brutus' stands halfway between Shakespeare's 'A Midsummer Night's Dream' and Stephen Sondheim and James Lapine's 'Into the Woods'. Like them, it is a play about enchantment and disillusion, dreams and reality.
The field is a halfway house, halfway between the detail of those intimately known places and the ignorance of a landscape view ... The essence of a field is that the cultural accommodates the natural there. The human being makes room for and makes use of those organisms that are not him. In that way the field is a poem to symbiosis, and a human contract with the natural.
I know how I felt when I saw things like 'Fame' on television when I was growing up and how that was an exceptional magnet for me to want to explore the theater. I can only assume that 'Smash' is doing that for anyone who is halfway interested in theater already.