A Quote by Lady Gaga
I don't know if I'm selfless - I still want to make a great record. I want to make a hit record. I want to tour; that's not completely selfless. But the truth is I'm not interested in people coming to my show for me as much as I am for them coming to my show for themselves. That's always been how I am.
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The live thing is separate from the record for me. I have to figure out a way to make the songs work live. It's always going to be different than it is on a record, because every record I've made, there are people playing parts on there that are not going to be coming on tour with me. As much as still feeling connected to it, it's more like rediscovering.
I could do another tour, make a record that's very similar, do similar venues. Or I could make a different record, do different venues, and grow. It's exciting to take it to new places, but it's never been my intent to be the biggest thing in the world. That's not what my drive is. I want to make what I want to make, and make a living off it.
I like to believe that stories want to be written, that they must make an effort in order to be heard. They suggest themselves to me constantly, but I have little patience, I am lazy. Now and then, however, when I'm in the right mood, I stop to listen to one and sit down to record it. I think that by now they know I am not patient, so they make themselves short.
I still want to make a pop record. I want to make a more sonically current pop record. I maybe want to make people move a little bit more.
If I want to do an orchestral record, if I want to do an acoustic record, if I want to do a death-metal record, if I want to do a jazz record - I can move in whichever direction I want, and no one is going to get upset about that. Except maybe my manager and my record company.
I won't necessarily make new music because when you make a record there are these great expectations on the side of the record company who are going to produce your record, promoters that are going to do your shows. They want you to do interviews, they want you to play shows. I mean, they want it to be a campaign.
I am persistent about everything I believe in. If there's a film I want to do, a record, a Broadway show - I do it. Everybody can hate it but I will still do it. I am fearless that way.
People want to be the first with the record, they want to be the first to know which songs are on the record, all that kind of stuff. So I like to just stall them a bit. Personally, I love the idea of an album that's completely new, that no one's heard any free downloads, any pre-record releases, all that kind of stuff, and nothing's been played on the radio. Totally virgin, you know, a sealed record. That's my ideal, but it's very hard to get anybody else to agree to do that.
I want to show other girls how happy I am and how confident I am, how I still want to go to school and I still want to rap.
I don't want to have one hit, one song of the summer, and then have me disappear forever. I really want my things to last, and I want my songs and my bodies of work to resonate with people. I want to hit people - at least make a dent in them. I want to make a mark somehow.
When I was younger, I always was like, 'I want to be a serious actor.' I wasn't interested in doing a Disney show or a Nick show. But here I am, and it's great.
I feel so lucky to have the opportunity to make the show, and that it is in alignment with what I'm interested in, with what I read about. For me, it just felt like an organic step - of course, I'm thinking I want a show that allows for more representation for the community and shows the struggles people face, especially when we're hearing all this political rhetoric - to have a way to show how much this affects people lives.
As much as I am one for real human interaction, I also want to make a show that's entertaining and that people want to see.
I want the material I make to be mine; that's always the goal of the record and of the show.
I feel a lot of personal responsibility to undo the negative stereotypes. I know that it's not coming from a bad place. It's coming from an ignorant place. I can sort of be an ambassador in a subtle way to say, "This is what I am: a comedian, a show host, a writer." It will still always be part of the conversation and people will want to focus on it because there is a culture that is so embedded that if you have a disability, you're someone to be either admired just for living, or be pitied for having to struggle.
I have never engineered a record. I will draw a record and I'll show you what it's gonna look like. And I will design it and sketch it out and show you, you know, the breaks are coming in here. Sixteen bars. Move out. 32 bars and you get this baseline. Repeat this. Ghost it. Take the tops out of that. Make it go thin. Get a filter. Reverse it.
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