A Quote by Lady Gregory
I really do not see why there is not a splendid field for good work on the music hall stage, and if I did not have my own theatre taking up my time, I should rather like to go into it.
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There are two kinds of theatre, good and bad. Much as I should like to see theatre in America, I would rather have no theatre than bad theatre. What we must strive for is perfection and come as close to it as is humanly possible.
When you go on a stage, before you go on a stage you're really scared and you're really frightened. You don't know what to do. "Why did I say yes to this?" But once you're on the stage you think, "Okay."
The last time I heard real screaming in the theatre was when I went to see a movie I did years ago, called 'Wait Until Dark.' Now, my mother was the least emotional person on the planet, but when I got killed in the movie, she stood up and screamed, 'That's my son!' At Radio City Music Hall in New York!
Music is a spiritual expression of what's in your heart. Music as a way of getting rich is a pretty new thing, and I often wonder if the mega-bucks glitzy atmosphere is making the quality of music suffer. You have to work really hard to get around that and remember why you're in it in the first place: because you have to be. It's like an addiction. You can't go a day without picking up your guitar. To me, the only commercial goals that are really valid are, 'Boy, I wish I didn't have to go to work. I wish I could do this all the time.'
Sure there are people who do everything "I do my own beats, my own lyrics, my own mixing, my own mastering, my own art, my own booking, my own managing, my own merch" it's like... ya that sucks, it can't be very good for you, and might be why you aren't getting ahead because you really need to focus on the music where others should be focusing on those other aspects.
I'm a prostitute. Do you know what, it really is basically I just really like to work! I'm thrilled that there's a variety. It's why I got into this business to begin with, because I really don't have the discipline or intellect to have a 9-to-5 job. But I came from a classical music background and I merged that to theatre, it kind of opened up the door to a lot of different possibilities.
All of my friends are really good dancers, which was initially why I never danced - we'd go out and they would kill it and I'd be like, "Yeah, I'm just gonna sit at the bar." I broke my foot, and I couldn't run for a year, but I realized I could kind of dance. It reminded me how amazing dance is; it's so in tune with music - it is music. It's a physical expression of whatever music is. On stage, you're interacting with things - physical things. So I've really started to like and notice the way people move with music.
I'm my own hero on the sets; why should I work with other heroes? The Khans did not want to work with me when I started. Why should I work with them now?
I became an actor by doing school plays and youth theaters, and then National Youth Theatre of Great Britain. And then I did study at the London Academy of Music and Dramatic Arts. For me that was a good way to enter the field, to work in the theater.
There is a cropping-time in the races of men, as in the fruits of the field; and sometimes, if the stock be good, there springs up for a time a succession of splendid men; and then comes a period of barrenness.
My life is like a music-hall,Where, in the impotence of rage,Chained by enchantment to my stall,I see myself upon the stageDance to amuse a music-hall.
It's a really good format to have, to go back to theatre and build yourself as an actor. I think it's a great skill to go from screen to stage.
So rather than someone coming to my stu- dio and saying, like, "Thank you for your time. I'll see you later," and me not knowing why they don't like my work, I understand now why they don't like it.
I didn't see Kirby Puckett as a Hall of Famer. I didn't see Gary Carter as a Hall of Famer. I didn't see Don Sutton as a Hall of Famer. I didn't see Phil Niekro as a Hall of Famer. As much as I like Jim Rice, I'm not so sure he's a Hall of Famer.
I like to have a good time. I'm playing a great game, so why should I stop smiling when I get on the field?
See, there's only two theaters, man that are set up pretty groovy all around for music and for smooth stage changes, good lighting and all that - the Fillmore and The Capitol Theatre. And those are the only two in the whole country.
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