A Quote by Lady Gregory

The Gaelic language itself depends very much on ear and rhythm, and when those who are thinking in Gaelic speak in English, they get the same rhythm. — © Lady Gregory
The Gaelic language itself depends very much on ear and rhythm, and when those who are thinking in Gaelic speak in English, they get the same rhythm.
James Joyce's English was based on the rhythm of the Irish language. He wrote things that shocked English language speakers but he was thinking in Gaelic. I've sung songs that if they were in English, would have been banned too. The psyche of the Irish language is completely different to the English-speaking world.
When I do Gaelic music, I've learned about Gaelic culture; I've tried to learn the language. Whenever I do mouth music and there's Gaelic speakers in the audience, and they come up and go, 'Good job,' I'm always like, 'Phew.'
It wasn't so long ago that it was not popular to speak Gaelic in Ireland because the areas that Gaelic is spoken in were much poorer areas.
I grew up watching my Dad, Uncles Ciaran Murray and Brendan Murray, and cousin, Aedin Murray, who were all national caliber Gaelic football players in Ireland. I try to watch as much Gaelic football as I can, it is my first love. I bleed Green, White, and Orange. Gaelic football players don’t get paid to play, you play to represent your county that is more important than earning money.
Everything that we inherit, the rain, the skies, the speech, and anybody who works in the English language in Ireland knows that there's the dead ghost of Gaelic in the language we use and listen to and that those things will reflect our Irish identity.
Whether I'm performing or directing, I'm aways thinking about rhythm; sometimes it's nailing the right rhythm, and sometimes it's intentionally breaking the rhythm. Those two things are what make something funny or not. How long a shot is and where you put the camera are all part of that rhythm of directing.
Singing in Gaelic is very, very natural to do. I think lends itself very much so to being sung.
But I am Northern myself, and there is a certain rhythm of Northern speech that is very comical: that combination of the choice of language and the speech rhythm, which in itself is very funny.
Your voice sounds completely different in different languages. It alters your personality somehow. I don't think people get the same feeling from you. The rhythm changes. Because the rhythm of the language is different, it changes your inner rhythm and that changes how you process everything.
And if I'm ahead, I can sometimes tell. It might mean I'm having a good swim, but pretty much, I'm just focused on how fast I'm going, how fast I'm feeling, and pretty much block everything out, the sounds, the sights, just kind of listen to the rhythm of the water, and just maintaining the same stroke, the same rhythm, the same tempo, and thinking about how I want to get my hand to the wall.
I see only one requirement you have to have to be a director or any kind of artist: rhythm. Rhythm, for me, is everything. Without rhythm, there's no music. Without rhythm, there's no cinema. Without rhythm, there's no architecture.
The rhythm is below me, the rhythm of the heat. The rhythm is around me, the rhythm has control. The rhythm is inside me, the rhythm has my soul.
Writing is so much about rhythm. If you've got another rhythm in the room, it spoils the rhythm of the words.
Where I come from we say that rhythm is the soul of life, because the whole universe revolves around rhythm, and when we get out of rhythm, that’s when we get into trouble.
A lot of my work is like picking potatoes; you have to get into the rhythm of it. It is different than patience. It is not thinking. It is working with the rhythm.
Poems are a dance of language that comes out when my body taps into the rhythm of language. Rhythm gets us naked and exposes our selves completely.
This site uses cookies to ensure you get the best experience. More info...
Got it!