A Quote by Lady Gregory

I hold that the beginning of modern Irish drama was in the winter of 1898, at a school feast at Coole, when Douglas Hyde and Miss Norma Borthwick acted in Irish in a Punch and Judy show; and the delighted children went back to tell their parents what grand curses 'An Craoibhin' had put on the baby and the policeman.
All my family look Irish. They act Irish. My sister even has red hair... it's crazy. I'm the one that doesn't seem Irish. None of the kids in my family, my siblings, speak with an Irish accent... we've never lived there full-time; we weren't born there. We just go there once or twice a year. It's weird. Our parents sound Irish, but we don't.
I'm Irish as hell: Kelly on one side, Shanley on the other. My father had been born on a farm in the Irish Midlands. He and his brothers had been shepherds there, cattle and sheep, back in the early 1920s. I grew up surrounded by brogues and Irish music, but stayed away from the old country till I was over 40. I just couldn't own being Irish.
My parents are Irish, my grandparents are Irish, my great-grandparents are Irish. I was born in England; my blood is Irish.
I'm honoured and delighted to be named the 'Irish Times'/Irish Sports Council Sportswoman of the Year 2014. This has been an amazing year for me and for Irish women in sport, and I would like to congratulate all the finalists in their respective fields who have excelled at major sporting events.
The English and Americans dislike only some Irish--the same Irish that the Irish themselves detest, Irish writers--the ones that think.
I wasn't embraced as an Irish artist back in the Moloko days. Modern electronica isn't what you think of when you think of Irish music.
I had an idyllic childhood and when my parents bought me a Punch and Judy Show and a ventriloquist's dummy, I'd perform anywhere, anytime. My parents were wonderful when I told them I wanted to be an entertainer.
If we turn to early Irish literature, as we naturally may, to see what sort of people the Irish were in the infancy of the race, we find ourselves wandering in delighted bewilderment through a darkness shot with lightning and purple flame.
Yes, I am Irish and Indian, which would be the coolest blend in the world if my parents were around to teach me how to be Irish and Indian. But they're not here and haven't been for years, so I'm not really Irish or Indian. I am a blank sky, a human solar eclipse.
My mom's family was 100 percent Irish, in the American way of being Irish, and then my dad was half Irish.
I'm proud of my Irish heritage and culture and this show will feature a lot of Irish dancing.
Inherently in us as Irish people, wherever you are in the world, when you hear an Irish accent, it's like a moth to a flame. There's a real personable pride and camaraderie about being Irish.
I don't really go around feeling very Irish at all. I don't go to Irish pubs. I've lived so many places, and I'm still so curious about the bigger world. It's grand to be alive in a time when mobility is so accessible.
I'm Irish and very proud of being Irish, but as an actor, your extraction should be secondary, really. You should be able to embody whatever character it is, wherever the character comes from. That's always been important, for me. I'm an actor who's Irish, not an Irish actor.
Ulysses is the greatest anti-racist text in the English language, and it challenges right from the beginning the vicious racism which lies near the foundations of the Irish Free State and of the Irish republic.
'Ulysses' is the greatest anti-racist text in the English language, and it challenges right from the beginning the vicious racism which lies near the foundations of the Irish Free State and of the Irish republic.
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