A Quote by Laetitia Pilkington
by the general love of scandal and detraction in Dublin, one might reasonably imagine they were all to feed themselves through the holes which they had made in the characters of others.
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People do tell a writer things that they don't tell others. I don't know why, unless it is that having read one or two of his books they feel on peculiarly intimate terms with him; or it may be that they dramatize themselves and, seeing themselves as it were as characters in a novel, are ready to be as open with him as they imagine the characters of his invention are.
Unlike most wars, which make rotten fiction in themselves - all plot and no characters, or made-up characters - Vietnam seems to be the perfect mix: the characters make the war, and the war unmakes the characters. The gods, fates, furies had a relatively small hand in it. The mess was man-made, a synthetic, by think tank out of briefing session.
It's necessary to track characters all the way through an opera. If you're dealing with more than one or two characters, it's very easy to forget that the others have lives of their own that feed into the story.
Our ancestors, when about to build a town or an army post, sacrificed some of the cattle that were wont to feed on the site proposed and examined their livers. If the livers of the first victims were dark-coloured or abnormal, they sacrificed others, to see whether the fault was due to disease or their food. They never began to build defensive works in a place until after they had made many such trials and satisfied themselves that good water and food had made the liver sound and firm, healthfulness being their chief object.
I had an excellent repast - the best repast possible - which consisted simply of boiled eggs and bread and butter. It was the quality of these simple ingredients that made the occasion memorable. The eggs were so good that I am ashamed to say how many of them I consumed ....It might seem that an egg which has succeeded in being fresh has done all that can be reasonably expected of it.
Love is fed by the imagination, by which we become wiser than we know, better than we feel, nobler than we are: by which we can see life as a whole, by which and by which alone we can understand others in their real and their ideal relation. Only what is fine, and finely conceived can feed love. But anything will feed hate.
'Push' had a story, 'The Paperboy' story you could just throw up in the air and shoot holes through the book because the story wasn't as strong. But I felt the characters were stronger in 'The Paperboy'; they were vivid.
It had struck me that the world was full of holes, holes which you could fall into, never to be seen again. I couldn't understand the difference between disappearance and death. Both seemed the same to me, both left holes. Holes in your heart holes in your life.
The romantics were reacting against a modern culture that divided individuals from themselves (through specialisation in the division of labor), from others (the competitive market place) and from nature, which had been reduced down to a machine through technology. The antidote to such division is unity and wholeness, which means feeling at home again in the world.
It's called 'Dear White People,' but really, it's about these black characters and how they are involved or not involved in a racial scandal in ways that might surprise them and others, right?
After the success of 'Empire' and 'How to Get Away with Murder' and 'Scandal' and 'Power' and 'Black-ish', which all had characters that were genuine, authentic, and had the language of real people, I found myself coming into pilot season and every network just wanted to have their version of one of those shows.
Were I to solve problems for others they would remain stagnant; they would never grow. It would be a great injustice to them. My approach is to help with cause rather than effect. When I help others, it is by instilling within them the inspiration to work out problems by themselves. If you feed a man a meal, you only feed him for a day-but if you teach a man to grow food, you feed him for a lifetime.
For three million years we were hunter-gatherers, and it was through the evolutionary pressures of that way of life that a brain so adaptable and so creative eventually emerged. Today we stand with the brains of hunter-gatherers in our heads, looking out on a modern world made comfortable for some by the fruits of human inventiveness, and made miserable for others by the scandal of deprivation in the midst of plenty.
When public men indulge themselves in abuse, when they deny others a fair trial, when they resort to innuendo and insinuation, to libel, scandal, and suspicion, then our democratic society is outraged, and democracy is baffled. It has no apparatus to deal with the boor, the liar, the lout, and the antidemocrat in general.
The 2.4 million bright, brave, incredibly fit and remarkably talented young Americans who have served in our armed forces since we were attacked on 9-11-01 are all volunteers. As General Petraeus put it during a conversation we had in Afghanistan, 'They all came or stayed, knowing they were going to war.' For more than a decade, these patriots and their loved ones have made extraordinary sacrifices for this country. They embody the classical definition of heroes: those who put themselves at risk for the benefit of others.
I've made the decision to adhere to three general truths when it comes to my novels: There will be a love-story element to the story, the novel will be set in eastern North Carolina, and the characters will be likeable. Then, I make each novel unique through differences in voice, perspective, age and personalities of the characters, and of course, plot.
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